Citation: J. Radbourne, CREATIVE NATION - A POLICY FOR LEADERS OR FOLLOWERS - AN EVALUATION OF AUSTRALIA 1994 CULTURAL POLICY STATEMENT, The Journal of arts management, law, and society, 26(4), 1997, pp. 271-283
Citation: J. Meyrick, ACCOUNTING FOR THE ARTS OF THE 90S - THE GROWTH OF PERFORMING ARTS ADMINISTRATION IN AUSTRALIA, 1975-1995, The Journal of arts management, law, and society, 26(4), 1997, pp. 285-307
Citation: D. Chong, CULTURE POLICY AND MANAGEMENT IN THR UNITED-KINGDOM - PROCEEDINGS OF AN INTERNATIONAL-SYMPOSIUM - BENNETT,O, The Journal of arts management, law, and society, 26(4), 1997, pp. 315-318
Citation: Mj. Wyszomirski, POLITICAL-CULTURE AND CULTURAL POLICY - INTRODUCTION, The Journal of arts management, law, and society, 26(3), 1996, pp. 163-165
Citation: A. Zimmer et S. Toepler, CULTURAL POLICIES AND THE WELFARE-STATE - THE CASES OF SWEDEN, GERMANY, AND THE UNITED-STATES, The Journal of arts management, law, and society, 26(3), 1996, pp. 167-193
Citation: I. Benami, GOVERNMENT INVOLVEMENT IN THE ARTS IN ISRAEL - SOME STRUCTURAL AND POLICY CHARACTERISTICS, The Journal of arts management, law, and society, 26(3), 1996, pp. 195-219
Citation: T. Filicko, IN WHAT SPIRIT DO AMERICANS CULTIVATE THE ARTS - A REVIEW OF SURVEY QUESTIONS ON THE ARTS, The Journal of arts management, law, and society, 26(3), 1996, pp. 221-246
Citation: Mj. Wyszomirski, WHERE DO WE GO FROM HERE, THE FUTURE OF SUPPORT FOR THE ARTS-AND-HUMANITIES, The Journal of arts management, law, and society, 26(2), 1996, pp. 75-77
Citation: J. Kreidler, LEVERAGE LOST, THE NONPROFIT ARTS IN THE POST-FORD-ERA, The Journal of arts management, law, and society, 26(2), 1996, pp. 79-100
Citation: Lk. Stevens, THE EARNINGS SHIFT, THE NEW BOTTOM LINE PARADIGM FOR THE ARTS INDUSTRY IN A MARKET-DRIVEN ERA, The Journal of arts management, law, and society, 26(2), 1996, pp. 101-113
Citation: F. Hodsoll, PUBLIC FUNDING FOR THE ARTS, PAST, PRESENT, AND FUTURE, The Journal of arts management, law, and society, 26(2), 1996, pp. 115-124
Citation: Nk. Cobb, LOOKING AHEAD, PRIVATE-SECTOR GIVING TO THE ARTS AND THE HUMANITIES, The Journal of arts management, law, and society, 26(2), 1996, pp. 125-160
Citation: J. Walker, DOCUMENTARY FILM IN THE AGE OF MECHANICAL REPRODUCTION - THE HERMITAGE - A RUSSIAN ODYSSEY, The Journal of arts management, law, and society, 26(1), 1996, pp. 17-27
Citation: M. White, VIRTUAL-CULTURE - THE SPACE OF THE MUSEUM ON MOOS (MULTIUSER, OBJECT-ORIENTED WORLDS), The Journal of arts management, law, and society, 26(1), 1996, pp. 29-40
Citation: Je. Sullivan, COPYRIGHT FOR VISUAL ART IN THE DIGITAL-AGE - A MODERN ADVENTURE IN WONDERLAND, The Journal of arts management, law, and society, 26(1), 1996, pp. 41-59
Citation: I. Irwinzarecka, DIGITAL-IMAGING -TECHNOLOGY - QUESTIONS FOR THE NEW-ORDER( ARTS AND COMPUTER), The Journal of arts management, law, and society, 26(1), 1996, pp. 61-67
Citation: W. Glade, THE ARTS IN THE WORLD-ECONOMY - PUBLIC-POLICY AND PRIVATE PHILANTHROPY FOR A GLOBAL CULTURAL COMMUNITY - ROBISON,O, FREEMAN,R, RILEY,CA, The Journal of arts management, law, and society, 26(1), 1996, pp. 68-69
Citation: W. Talbot, A CABINET OF CURIOSITIES - INQUIRIES INTO MUSEUMS AND THEIR PROSPECTS- WEIL,SE, The Journal of arts management, law, and society, 26(1), 1996, pp. 69-71
Citation: Kv. Mulcahy, ART LESSONS - LEARNING FROM THE RISE AND FALL OF PUBLIC ARTS FUNDING - MARQUIS,AG, The Journal of arts management, law, and society, 26(1), 1996, pp. 71-72
Citation: Jh. Balfe, (RE)PRESENTING OTHERNESS + THE OWNERSHIP OF CULTURAL PROPERTY, The Journal of arts management, law, and society, 25(4), 1996, pp. 259-261
Citation: Bb. Koh, THE DISPLAY OF THE WORK-OF-ART, EXHIBITIONS OF AFRICAN ART AT THE BROOKLYN-MUSEUM, 1923, AND THE MUSEUM-OF-MODERN-ART, 1935, The Journal of arts management, law, and society, 25(4), 1996, pp. 262-280