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Results: 126-150/260
Authors:
HARPLE TS
Citation: Ts. Harple, CONSIDERING THE MAORI IN THE 19TH-CENTURY AND THE 20TH-CENTURY, THE NEGOTIATION OF SOCIAL IDENTITY IN EXHIBITORY CULTURES, The Journal of arts management, law, and society, 25(4), 1996, pp. 292-305
Authors:
CHARTRAND HH
Citation: Hh. Chartrand, INTELLECTUAL PROPERTY-RIGHTS IN THE POSTMODERN WORLD, The Journal of arts management, law, and society, 25(4), 1996, pp. 306-319
Authors:
LEUTHOLD S
Citation: S. Leuthold, IS THERE ART IN INDIGENOUS AESTHETICS, The Journal of arts management, law, and society, 25(4), 1996, pp. 320-338
Authors:
DUBIN S
Citation: S. Dubin, THE SUBVERSIVE IMAGINATION - ARTISTS, SOCIETY, AND SOCIAL-RESPONSIBILITY - BECKER,C, The Journal of arts management, law, and society, 25(4), 1996, pp. 339-340
Authors:
STAUBMANN H
Citation: H. Staubmann, MUSICAL LIFE IN A CHANGING SOCIETY - ASPECTS OF MUSIC SOCIOLOGY - BLAUKOPF,K, The Journal of arts management, law, and society, 25(4), 1996, pp. 341-342
Authors:
WYSZOMIRSKI MJ
Citation: Mj. Wyszomirski, CHANGING ARTS POLICIES, The Journal of arts management, law, and society, 25(3), 1995, pp. 179-181
Authors:
DORN CM
Citation: Cm. Dorn, PRIVATIZATION OF THE ARTS AND THE PUBLIC-INTEREST - AN ISSUE FOR LOCAL ARTS AGENCIES, The Journal of arts management, law, and society, 25(3), 1995, pp. 182-191
Authors:
WYSZOMIRSKI MJ
Citation: Mj. Wyszomirski, POLICY COMMUNITIES AND POLICY INFLUENCE, SECURING A GOVERNMENT ROLE IN CULTURAL POLICY FOR THE 21ST-CENTURY, The Journal of arts management, law, and society, 25(3), 1995, pp. 192-205
Authors:
TAYLOR EA
Citation: Ea. Taylor, RETHINKING THE PERFORMING ARTS FOR THE MEDIA AGE, The Journal of arts management, law, and society, 25(3), 1995, pp. 206-224
Authors:
MULCAHY KV
Citation: Kv. Mulcahy, PUBLIC CULTURE AND POLITICAL-CULTURE, LA POLITIQUE-CULTURELLE-DU-QUEBEC, The Journal of arts management, law, and society, 25(3), 1995, pp. 225-249
Authors:
CHONG D
Citation: D. Chong, CANADA CONTRIBUTION TO THE INTERNATIONAL PRACTICE OF ARTS MANAGEMENT - SCHAFER,DP, The Journal of arts management, law, and society, 25(3), 1995, pp. 250-252
Authors:
URICE JK
Citation: Jk. Urice, THE NATIONAL ENDOWMENTS - A CRITICAL SYMPOSIUM - JARVIK,L, LONDON,H, COOPER,JF, The Journal of arts management, law, and society, 25(3), 1995, pp. 252-253
Authors:
HODSOLL F
Citation: F. Hodsoll, AMERICA COMMITMENT TO CULTURE - GOVERNMENT AND THE ARTS - MULCAHY,KV,WYSZOMIRSKI,MJ, The Journal of arts management, law, and society, 25(3), 1995, pp. 253-256
Authors:
BALFE JH
Citation: Jh. Balfe, ART AND COMMERCE + INTRODUCTION, The Journal of arts management, law, and society, 25(2), 1995, pp. 91-92
Authors:
MARONTATE J
Citation: J. Marontate, TECHNICAL INNOVATION AND MODERNIST IDEOLOGIES, COMMERCIAL AND ARTISTIC CONJUNCTIONS IN THE APPROPRIATION OF NEW PAINTING MEDIA, The Journal of arts management, law, and society, 25(2), 1995, pp. 93-108
Authors:
KENYON GS
Citation: Gs. Kenyon, MARKET-ECONOMY DISCOURSE IN NONPROFIT HIGH-STATUS ART WORLDS, The Journal of arts management, law, and society, 25(2), 1995, pp. 109-124
Authors:
FREEMAN EJ
BANIA N
Citation: Ej. Freeman et N. Bania, A DIFFERENT TEMPO, AFRICAN-AMERICAN ATTENDANCE AT PERFORMANCES OF THECLEVELAND-ORCHESTRA, The Journal of arts management, law, and society, 25(2), 1995, pp. 127-139
Authors:
WALLER RV
Citation: Rv. Waller, MINIMUM EMPLOYMENT GUARANTEES IN MUSICAL-THEATER ORCHESTRAS - LABOR-RELATIONS ON BROADWAY AND AT THE JOHN-F-KENNEDY-CENTER-FOR-THE-PERFORMING-ARTS, The Journal of arts management, law, and society, 25(2), 1995, pp. 141-156
Authors:
BASSIN J
Citation: J. Bassin, THE MINIMUM BASIC AGREEMENT OF THE DRAMATISTS GUILD, A HISTORY OF INADEQUATE PROTECTION, The Journal of arts management, law, and society, 25(2), 1995, pp. 157-171
Authors:
CHANDLER RM
Citation: Rm. Chandler, MANY VOICES, MANY OPPORTUNITIES, CULTURAL-PLURALISM AND AMERICAN ARTSPOLICY - PRICE,CA, The Journal of arts management, law, and society, 25(2), 1995, pp. 173-175
Authors:
ZOLBERG VL
Citation: Vl. Zolberg, MUSEUM CULTURE AND THE THREAT TO NATIONAL IDENTITY IN THE AGE OF THE GATT, The Journal of arts management, law, and society, 25(1), 1995, pp. 5-16
Authors:
IRWINZARECKA I
Citation: I. Irwinzarecka, TOPOGRAPHY OF TERROR IN BERLIN - IS REMEMBRANCE OF FORGETTING POSSIBLE, The Journal of arts management, law, and society, 25(1), 1995, pp. 17-26
Authors:
VROMEN S
Citation: S. Vromen, THE FRENCH PANTHEON, A STUDY OF DIVISIVENESS, The Journal of arts management, law, and society, 25(1), 1995, pp. 27-37
Authors:
WEISS R
Citation: R. Weiss, THE LONG PROCESS OF GETTING TO THE NEAREST EDGE OF THE WORLD - ART AND CUBA NOW'( AN ESSAY ON THE EXHIBIT THE 'NEAREST EDGE OF THE WORLD ), The Journal of arts management, law, and society, 25(1), 1995, pp. 39-56
Authors:
GALLIGAN AM
Citation: Am. Galligan, THE RHODE-ISLAND AIRPORT CLOUD MACHINE, THE CONTINUING CONTROVERSY OVER STATE-SUPPORTED ART IN PUBLIC PLACES, The Journal of arts management, law, and society, 25(1), 1995, pp. 57-68