Citation: Jw. Monroe, ANGKOR-WAT, A CASE-STUDY IN THE LEGAL-PROBLEMS OF INTERNATIONAL CULTURAL RESOURCE-MANAGEMENT, The Journal of arts management, law, and society, 24(4), 1995, pp. 277-286
Citation: Hj. Mestel, CANADIAN TAX POLICY AND GIFTS OF CULTURAL PROPERTY - A POSITIVE ANALYSIS, The Journal of arts management, law, and society, 24(4), 1995, pp. 287-303
Citation: I. Morizet, THE ROLE OF THE ARTS IN INTERNATIONAL CULTURAL-EXCHANGE FROM THE PERSPECTIVE OF THE JAPAN-UNITED-STATES-FRIENDSHIP-COMMISSION, The Journal of arts management, law, and society, 24(4), 1995, pp. 304-323
Citation: E. Lehman, RECRUITMENT PRACTICES IN AMERICAN AND BRITISH SYMPHONY ORCHESTRAS, CONTRASTS AND CONSEQUENCES, The Journal of arts management, law, and society, 24(4), 1995, pp. 325-343
Citation: Jw. Zeigler, THE TINY ENDOWMENT, RADICAL DIFFERENCES IN PUBLIC AND PRIVATE SECTORS, The Journal of arts management, law, and society, 24(4), 1995, pp. 345-352
Citation: W. Chappell, PRESENTING, TOURING AND THE STATE ARTS AGENCIES - KATZ,J, The Journal of arts management, law, and society, 24(4), 1995, pp. 354-355
Citation: J. Vancamp, CREATING WORKS-OF-ART FROM WORKS-OF-ART, THE PROBLEM OF DERIVATIVE WORKS, The Journal of arts management, law, and society, 24(3), 1994, pp. 209-222
Citation: K. Bruin, REMBRANDT ON TOUR + ORGANIZING THE EXHIBITION 'REMBRANDT, THE MASTER AND HIS WORKSHOP', The Journal of arts management, law, and society, 24(3), 1994, pp. 223-239
Citation: Kw. Grundy, QUASI-STATE CENSORSHIP IN SOUTH-AFRICA, THE PERFORMING ARTS COUNCILS AND POLITICIZED THEATER, The Journal of arts management, law, and society, 24(3), 1994, pp. 241-257
Citation: R. Chess, MY HOLOCAUST, MY IMAGINATION, REFLECTIONS ON VISITING THE UNITED-STATES-HOLOCAUST-MEMORIAL-MUSEUM, The Journal of arts management, law, and society, 24(3), 1994, pp. 259-270
Citation: N. Prevots, POOR DANCERS ALMANAC - MANAGING LIFE AND WORK IN THE PERFORMING ARTS - WHITE,DR, FRIEDMAN,L, LEVINSON,TT, The Journal of arts management, law, and society, 24(3), 1994, pp. 271-272
Citation: Am. Galligan, INTERNATIONAL ARTS POLICY PERSPECTIVES - INTRODUCTION, The Journal of arts management, law, and society, 24(2), 1994, pp. 91-92
Citation: M. Heikkinen et P. Karhunen, THE FOCUS AND FUNCTIONS OF PUBLIC SUPPORT FOR ARTISTS IN FINLAND, The Journal of arts management, law, and society, 24(2), 1994, pp. 93-109
Citation: M. Bakke, CENTRALIZED DECENTRALIZATION IN NORWEGIAN CULTURAL POLICY, The Journal of arts management, law, and society, 24(2), 1994, pp. 111-127
Citation: P. Weinstock, TOWARD A SOCIOECONOMIC CULTURAL POLICY IN JERUSALEM - A CASE-STUDY, The Journal of arts management, law, and society, 24(2), 1994, pp. 129-145
Citation: V. Kirchberg, PREFERENCES AND POLICY - CONSUMING ART AND CULTURE IN BALTIMORE AND HAMBURG, The Journal of arts management, law, and society, 24(2), 1994, pp. 146-162
Citation: J. Vandertas, ASSESSMENT AND PARTICIPATION IN ART + SOCIOLOGY AND CULTURE OF TASTE, The Journal of arts management, law, and society, 24(2), 1994, pp. 163-173
Citation: Ew. Cameron, SPENGLER LIST - SCREENWRITING, THE WILDERNESS, AND THE CIVILIZED DEATH OF THE ARTS, The Journal of arts management, law, and society, 24(2), 1994, pp. 174-184
Citation: Jk. Urice, THE CONFERENCE ON SOCIAL-THEORY, POLITICS AND THE ARTS - INTRODUCTION, The Journal of arts management, law, and society, 24(1), 1994, pp. 3-6
Citation: Mv. Felton, HISTORICAL FUNDING PATTERNS IN SYMPHONY ORCHESTRAS, DANCE, AND OPERA COMPANIES, 1972-1992, The Journal of arts management, law, and society, 24(1), 1994, pp. 8-31