Citation: J. Radbourne, RECRUITMENT AND TRAINING OF BOARD-MEMBERS FOR THE 90S AND BEYOND + NONPROFIT ARTS ORGANIZATIONS, The Journal of arts management, law, and society, 23(3), 1993, pp. 211-224
Citation: M. Quine, THEATER AUDIENCES IN BRITAIN, A CONTINUING RESEARCH-PROGRAM, The Journal of arts management, law, and society, 23(3), 1993, pp. 225-239
Citation: Db. Pankratz, CONTEMPORARY-ART, SOCIETY, AND PUBLIC POLICIES - A SYMPOSIUM ON 'ARRESTING IMAGES, IMPOLITIC ART AND UNCIVIL ACTIONS' BY DUBIN,STEVEN,C. - INTRODUCTION, The Journal of arts management, law, and society, 23(3), 1993, pp. 253-254
Citation: J. Tannenbaum, PUBLIC FUNDING FOR THE ARTS, THE CHILL AFTER THE STORM + DUBIN,STEVEN,C. 'ARRESTING IMAGES', The Journal of arts management, law, and society, 23(3), 1993, pp. 263-267
Citation: J. Bond et J. Hutchins, ARRESTING IMAGES, WHY WE NEED TO RECAST THE DEBATE -WAR( DUBIN,STEVEN,C. FRESH INSIGHTS INTO THE CULTURE), The Journal of arts management, law, and society, 23(3), 1993, pp. 268-272
Citation: K. Goshorn, SOCIAL ACTIVISM, AESTHETIC LICENSE AND CULTURAL PROTEST + HOW ARTISTIC PRODUCTS SHOULD BE ANALYZED, The Journal of arts management, law, and society, 23(2), 1993, pp. 93-109
Citation: J. Jensen, DEMOCRATIC CULTURE AND THE ARTS - CONSTRUCTING A USABLE PAST, The Journal of arts management, law, and society, 23(2), 1993, pp. 110-120
Citation: J. Laughton, CULTURAL DEMOCRACY, ISSUES OF MULTICULTURALISM AND THE ARTS, The Journal of arts management, law, and society, 23(2), 1993, pp. 121-126
Citation: S. Gilmore, MINORITIES AND DISTRIBUTIONAL EQUITY AT THE NATIONAL-ENDOWMENT-FOR-THE-ARTS, The Journal of arts management, law, and society, 23(2), 1993, pp. 137-173
Citation: J. Laughton, PUBLIC-POLICY AND THE AESTHETIC INTEREST - CRITICAL ESSAYS ON DEFINING CULTURAL AND EDUCATIONAL-RELATIONS - SMITH,RA, BERMAN,R, The Journal of arts management, law, and society, 23(2), 1993, pp. 174-176
Citation: M. Richardson, PRESIDENTS-COMMITTEE-ON-THE-ARTS-AND-HUMANITIES REPORT TO THE PRESIDENT DECEMBER 1992 + PREFACE, INTRODUCTION, BACKGROUND, EVOLUTION OF THECOMMITTEE, RECENT ACTIVITIES AND RECOMMENDATIONS, The Journal of arts management, law, and society, 23(1), 1993, pp. 5-13
Citation: Ra. Sayles, CULTURAL-DEVELOPMENT IN AN IMMIGRANT COMMUNITY, ARTS EDUCATION THROUGH THE SETTLEMENT-MOVEMENT, The Journal of arts management, law, and society, 23(1), 1993, pp. 15-24
Citation: B. Whittaker, THE ARTS OF SOCIAL-CHANGE, ARTISTIC, PHILOSOPHICAL, AND MANAGERIAL ISSUES, The Journal of arts management, law, and society, 23(1), 1993, pp. 25-35
Citation: J. Levine, ART SERVICES FOR THE MARGINAL, THE SURVIVAL OF THEATER FOR THE FORGOTTEN, The Journal of arts management, law, and society, 23(1), 1993, pp. 37-50
Citation: J. Skiles, ANATOMY OF A STRATEGIC ALLIANCE, THE DOOR AND THE CREATIVE-WOMENS-COLLECTIVE, The Journal of arts management, law, and society, 23(1), 1993, pp. 51-68
Citation: J. Heilbrun, MANAGING A MUSEUMS COLLECTION + ADAPTED FROM THE ECONOMICS OF ART ANDCULTURE, The Journal of arts management, law, and society, 23(1), 1993, pp. 69-76
Citation: T. Birch, THE NONPROFIT LOBBYING GUIDE - ADVOCATING YOUR CAUSE AND GETTING RESULTS - SMUCKER,B, The Journal of arts management, law, and society, 23(1), 1993, pp. 77-79
Citation: O. Chamberlain, EXPANDING THE AUDIENCE FOR THE PERFORMING ARTS - ANDREASEN,AR, The Journal of arts management, law, and society, 23(1), 1993, pp. 79-80
Citation: Kg. Congdon, THE CRAFTSPERSON SPEAKS - ARTISTS IN VARIED MEDIA DISCUSS THEIR CRAFTS - JEFFRI,J, The Journal of arts management, law, and society, 23(1), 1993, pp. 80-82
Citation: Ej. Freeman, RACE, ETHNICITY AND PARTICIPATION IN THE ARTS - PATTERNS OF PARTICIPATION BY HISPANICS, WHITES, AND AFRICAN-AMERICANS IN SELECTED ACTIVITIES FROM THE 1982 AND 1985 SURVEYS-OF-PUBLIC-PARTICIPATION-IN-THE-ARTS -DIMAGGIO,P, OSTROWER,F, The Journal of arts management, law, and society, 23(1), 1993, pp. 82-83