Citation: J. Garrity, Selling culture to the "civilized": Bloomsbury, British Vogue, and the marketing of national identity, MODERNISM-M, 6(2), 1999, pp. 29-58
Citation: Ra. Rosenberg, Looking for Zora's 'Mule Bone': The battle for artistic authority in the Hurston-Hughes collaboration, MODERNISM-M, 6(2), 1999, pp. 79-105
Citation: Ra. Kaye, "A splendid readiness for death": T.S. Eliot, the homosexual cult of St. Sebastian, and World War I, MODERNISM-M, 6(2), 1999, pp. 107-134
Citation: J. Buhler, Adorno and "a writing of ruins": Essays on modern aesthetics and Anglo-American literature and culture, MODERNISM-M, 6(2), 1999, pp. 161-168
Citation: L. Auslander, Ready-to-wear and ready-to-work: A century of industry and immigrants in Paris and New York, MODERNISM-M, 6(1), 1999, pp. 165-167
Citation: D. Kadlec, X-RAY TESTIMONIALS IN RUKEYSER,MURIEL (AMERICAN POETRY, THE GREAT-DEPRESSION, SILICOSIS AND TUBERCULOSIS, HAWKS NEST INCIDENT), Modernism/modernity, 5(1), 1998, pp. 23-47
Citation: K. Hotelling, THE I OF EACH IS TO THE I OF EACH, A KIND OF FRETFUL SPEECH WHICH SETS A LIMIT ON ITSELF - MOORE,MARIANNE STRATEGIC SELFHOOD, Modernism/modernity, 5(1), 1998, pp. 75-96