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Results: 51-75/140
Authors:
Huyssen, A
Citation: A. Huyssen, The disturbance of vision in Vienna modernism, MODERNISM-M, 5(3), 1998, pp. 33-47
Authors:
GoGwilt, C
Citation: C. Gogwilt, The geopolitical image: Imperialism, anarchism, and the hypothesis of culture in the formation of geopolitics, MODERNISM-M, 5(3), 1998, pp. 49-70
Authors:
Douglas, A
Citation: A. Douglas, Periodizing the American century: Modernism, postmodernism, and postcolonialism in the Cold War context, MODERNISM-M, 5(3), 1998, pp. 71-98
Authors:
Kaplan, A
Citation: A. Kaplan, France under the Germans: Collaboration and compromise, MODERNISM-M, 5(3), 1998, pp. 99-105
Authors:
Krupnick, M
Citation: M. Krupnick, Marshall McLuhan, escape into understanding: A biography, MODERNISM-M, 5(3), 1998, pp. 107-122
Authors:
Irr, C
Citation: C. Irr, A measure of perfection: Phrenology and the fine arts in America, MODERNISM-M, 5(3), 1998, pp. 123-124
Authors:
Robertson, P
Citation: P. Robertson, Three plays by Mae West: 'Sex', The 'Drag', the 'Pleasure Man', MODERNISM-M, 5(3), 1998, pp. 125-126
Authors:
Maxwell, R
Citation: R. Maxwell, Bonnard, MODERNISM-M, 5(3), 1998, pp. 127-128
A small boy and others: Imitation and initiation in American culture from Henry James to Andy Warhol
Authors:
Young, P
Citation: P. Young, A small boy and others: Imitation and initiation in American culture from Henry James to Andy Warhol, MODERNISM-M, 5(3), 1998, pp. 129-130
Authors:
Jolas, E
Rumold, R
Kramer, A
Citation: E. Jolas et al., 'Remembering James Joyce' (From 'Man from Babel'), MODERNISM-M, 5(2), 1998, pp. 1-29
Authors:
Butts, M
Bagg, C
Blondel, N
Citation: M. Butts et al., 'Bloomsbury', MODERNISM-M, 5(2), 1998, pp. 31-45
Authors:
Armstrong, N
Citation: N. Armstrong, Modernism's iconophobia and what it did to gender, MODERNISM-M, 5(2), 1998, pp. 47-75
Authors:
Altieri, C
Citation: C. Altieri, The concept of force as modernist response to the authority of science, MODERNISM-M, 5(2), 1998, pp. 77-93
Authors:
Watten, B
Citation: B. Watten, An epic of subjectivation: The 'Making of Americans' (Gertrude Stein), MODERNISM-M, 5(2), 1998, pp. 95-121
Authors:
Rainey, L
Citation: L. Rainey, Taking dictation - Collage poetics, pathology, and politics (Filippo Tommaso Marinetti, Futurism, spiritism, fascism), MODERNISM-M, 5(2), 1998, pp. 123-153
Authors:
Morrisson, M
Citation: M. Morrisson, Review essay: Selling modernism, MODERNISM-M, 5(2), 1998, pp. 155-162
Authors:
Zwerdling, A
Citation: A. Zwerdling, 'Inventions of the March Hare': Poems, 1909-1917, MODERNISM-M, 5(2), 1998, pp. 163-165
Authors:
Saler, M
Citation: M. Saler, The first moderns, MODERNISM-M, 5(2), 1998, pp. 165-167
Authors:
Ma, MQ
Citation: Mq. Ma, Musicage: Cage muses on worlds, art, music, MODERNISM-M, 5(2), 1998, pp. 167-169
Authors:
Gilmore, P
Citation: P. Gilmore, E-pluribus Barnum: The Great Showman and the making of US popular culture, MODERNISM-M, 5(2), 1998, pp. 170-171
Authors:
Pletsch, C
Winders, JA
Citation: C. Pletsch et Ja. Winders, Nietzsche's corps/e: Aesthetics, politics, prophecy, or the spectacular technoculture of everyday life, MODERNISM-M, 5(2), 1998, pp. 171-173
Authors:
Timon, JS
Citation: Js. Timon, Film essays and criticism, MODERNISM-M, 5(2), 1998, pp. 173-177
Authors:
Timon, JS
Citation: Js. Timon, The mass ornament: Weimar essays, MODERNISM-M, 5(2), 1998, pp. 173-177
Authors:
Peterson, J
Citation: J. Peterson, The third eye: Race, cinema, and ethnographic spectacle, MODERNISM-M, 5(2), 1998, pp. 177-181
Authors:
Peterson, J
Citation: J. Peterson, Parallel tracks: The railroad and silent cinema, MODERNISM-M, 5(2), 1998, pp. 177-181