Citation: Stefano Lorenzetti, Between "Assimilation and Marginalization." Trends and Programs in Contemporary Musicological Research, Italian history & culture (Print) Italian history and culture , 5, 1999, pp. 3-12
Citation: Arnaldo Morelli, "Il muovere e non il far maravigliare." Relationships between Artistic and Musical Patronage in the Roman Oratory, Italian history & culture (Print) Italian history and culture , 5, 1999, pp. 13-28
Citation: Rodolfo Baroncini, "Sinfonie et balli allegri." Fuctions, Genres, and Patronage of Instrumental Music at the Court of Mantua in the Early Seventeenth Century, Italian history & culture (Print) Italian history and culture , 5, 1999, pp. 29-70
Citation: Francesca Chiarelli, Poetic Choices and Choice of Poetics: The Role of "Il pastor fido" in the Artusi-Monteverdi Controversy, Italian history & culture (Print) Italian history and culture , 5, 1999, pp. 71-83
Citation: Philipe Canguilhem, "Caronte, chi sei?" Un cas exemplaire de circulation littéraire et musicale dans l'Italie de la Renaissance, Italian history & culture (Print) Italian history and culture , 5, 1999, pp. 85-119
Citation: John Pfordresher, Mulling the Energy of Remembering David Heminway's Poems about Italy, Italian history & culture (Print) Italian history and culture , 5, 1999, pp. 123-136
Citation: Irene Marchegiani Jones, An Introduction to Italian Poetry in the United States: The "Ars Poetica" of Luigi Fontanella, Italian history & culture (Print) Italian history and culture , 5, 1999, pp. 137-153
Citation: Roberto Mancini, Virtous Women, Female Warriors. Models of Heroines in France and Italy between the Eighteenth and Nineteenth Centuries, Italian history & culture (Print) Italian history and culture , 5, 1999, pp. 155-175