Citation: L. Houston et C. Tobey, Bodies of history and historical bodies: Baryshnikov and the Judson legacy(Two performances of the White Oak Dance Project, Tempe, Arizona, and Chicago), PAJ, (69), 2001, pp. 13-23
Citation: B. Walsh, The rest is violence: Muller contra Shakespeare (Heiner Muller's 'Hamletmachine', a rework of William Shakespeare's 'Hamlet'), PAJ, (69), 2001, pp. 24-35
Citation: M. Roth, Making and performing Code 33: A public art project with Suzanne Lacy, Julio Morales, and Unique Holland, PAJ, (69), 2001, pp. 47-62
Citation: J. Klein, Paul McCarthy, retrospective, Museum of Contemporary Art, Los Angeles, November 12, 2000-January 21, 2001, PAJ, (68), 2001, pp. 10-17
Citation: M. Rosenblatt, The 'Postcard Project', Museum of Modern Art, New York, Musuem of Fine Arts, Boston, Metropolitan Museum of Art, New York, Whitney Museum of AmericanArt, Solomon R. Guggenheim Museum, 1999-present, PAJ, (68), 2001, pp. 55-60