AAAAAA

   
Results: 1-25 | 26-39
Results: 1-25/39
Max Ophuls in Hollywood, 1941-1946: Memoirs of a filmmaker
Authors: Amiel, V
Citation: V. Amiel, Max Ophuls in Hollywood, 1941-1946: Memoirs of a filmmaker, POSITIF, (487), 2001, pp. 76-78
Social unrest and French provincial life: The films of Claude Sautet
Authors: Amiel, V
Citation: V. Amiel, Social unrest and French provincial life: The films of Claude Sautet, POSITIF, (485-6), 2001, pp. 20-22
Film and television news in France during the month of May
Authors: Amiel, V
Citation: V. Amiel, Film and television news in France during the month of May, POSITIF, (485-6), 2001, pp. 133-135
'Boesman et Lena'
Authors: Amiel, V
Citation: V. Amiel, 'Boesman et Lena', POSITIF, (482), 2001, pp. 38-39
'A ma Soeur!'
Authors: Amiel, V
Citation: V. Amiel, 'A ma Soeur!', POSITIF, (481), 2001, pp. 24-25
Beyond the documentary film: Objective reality and authorship
Authors: Amiel, V
Citation: V. Amiel, Beyond the documentary film: Objective reality and authorship, POSITIF, (481), 2001, pp. 76-77
'Intimite'
Authors: Amiel, V
Citation: V. Amiel, 'Intimite', ESPRIT, (5), 2001, pp. 176-177
Children being influenced - Does what they see on the screen make the young violent?
Authors: Amiel, V
Citation: V. Amiel, Children being influenced - Does what they see on the screen make the young violent?, ESPRIT, (5), 2001, pp. 218-219
Le 'Chant de la fidele Chunhyang' ('Choonhyong Duyeon')
Authors: Amiel, V
Citation: V. Amiel, Le 'Chant de la fidele Chunhyang' ('Choonhyong Duyeon'), POSITIF, (478), 2000, pp. 14-15
Space in cinema
Authors: Amiel, V
Citation: V. Amiel, Space in cinema, POSITIF, (476), 2000, pp. 80-81
No one better than Godard
Authors: Amiel, V
Citation: V. Amiel, No one better than Godard, POSITIF, (476), 2000, pp. 80-81
June in cinema
Authors: Amiel, V
Citation: V. Amiel, June in cinema, POSITIF, (475), 2000, pp. 52-54
Light, surfaces (Cinematography)
Authors: Amiel, V
Citation: V. Amiel, Light, surfaces (Cinematography), POSITIF, (475), 2000, pp. 74-75
Gena Rowlands in the films of John Cassavetes and Woody Allen
Authors: Amiel, V
Citation: V. Amiel, Gena Rowlands in the films of John Cassavetes and Woody Allen, POSITIF, (473-74), 2000, pp. 50-52
'Panique at Needle Park'
Authors: Amiel, V
Citation: V. Amiel, 'Panique at Needle Park', POSITIF, (473-74), 2000, pp. 162-163
La 'Voleuse de Saint-Lubin'
Authors: Amiel, V
Citation: V. Amiel, La 'Voleuse de Saint-Lubin', POSITIF, (472), 2000, pp. 20-23
Le 'Petit Voleur'
Authors: Amiel, V
Citation: V. Amiel, Le 'Petit Voleur', POSITIF, (472), 2000, pp. 20-23
'Retiens la Nuit'
Authors: Amiel, V
Citation: V. Amiel, 'Retiens la Nuit', POSITIF, (472), 2000, pp. 20-23
Le 'Detour'
Authors: Amiel, V
Citation: V. Amiel, Le 'Detour', POSITIF, (472), 2000, pp. 20-23
Les 'Terres Froides'
Authors: Amiel, V
Citation: V. Amiel, Les 'Terres Froides', POSITIF, (472), 2000, pp. 20-23
'Tontaine et Tonton'
Authors: Amiel, V
Citation: V. Amiel, 'Tontaine et Tonton', POSITIF, (472), 2000, pp. 20-23
Le 'Sang'
Authors: Amiel, V
Citation: V. Amiel, Le 'Sang', POSITIF, (469), 2000, pp. 53-54
The eternal return: Re-representation in the cinema of Joseph Mankiewicz
Authors: Amiel, V
Citation: V. Amiel, The eternal return: Re-representation in the cinema of Joseph Mankiewicz, POSITIF, (469), 2000, pp. 83-85
Novelist Nathalie Sarraute and film-maker Robert Bresson, the art of fragmentation
Authors: Amiel, V
Citation: V. Amiel, Novelist Nathalie Sarraute and film-maker Robert Bresson, the art of fragmentation, ESPRIT, (2), 2000, pp. 18-26
In praise of the individual: Essay on Flemish painting during the Renaissance
Authors: Amiel, V
Citation: V. Amiel, In praise of the individual: Essay on Flemish painting during the Renaissance, ESPRIT, (12), 2000, pp. 194-196
Risultati: 1-25 | 26-39