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Results: 26-39/39
Authors:
Amiel, V
Citation: V. Amiel, Man, a back view, ESPRIT, (12), 2000, pp. 194-196
Authors:
Amiel, V
Citation: V. Amiel, In the Shadow of Bonnie and Clyde: Terrence Malick's 1973 thriller, 'Badlands', POSITIF, (466), 1999, pp. 97-98
Authors:
Amiel, V
Citation: V. Amiel, 'Barry Lyndon', POSITIF, (464), 1999, pp. 102-104
Authors:
Amiel, V
Citation: V. Amiel, 'Dodes'Kaden', POSITIF, (461-62), 1999, pp. 71-72
Authors:
Amiel, V
Citation: V. Amiel, 'Haute Voltige', POSITIF, (461-62), 1999, pp. 150-150
Authors:
Amiel, V
Citation: V. Amiel, A film critic's diary, March 1999, POSITIF, (459), 1999, pp. 59-61
Authors:
Amiel, V
Citation: V. Amiel, The 'Man Who Knew Too Much', POSITIF, (459), 1999, pp. 93-95
Authors:
Amiel, V
Citation: V. Amiel, The 'Man Who Knew Too Much', POSITIF, (459), 1999, pp. 93-95
Authors:
Amiel, V
Citation: V. Amiel, Films of the "2000 series", a French television program, POSITIF, (458), 1999, pp. 30-32
Authors:
Amiel, V
Citation: V. Amiel, A directing style of contrasts: "Broad strokes" and details (in Robert Altman films), ETUD CINEMA, (249-57), 1999, pp. 29-37
Authors:
Amiel, V
Citation: V. Amiel, Violence and contemplation in the films of Takeshi Kitano, ESPRIT, (6), 1999, pp. 164-171
Authors:
Amiel, V
Ciment, M
Codelli, L
Citation: V. Amiel et al., The 1998 Venice Film Festival, POSITIF, (453), 1998, pp. 38-47
Authors:
Amiel, V
Citation: V. Amiel, 'Celebrity', POSITIF, (453), 1998, pp. 46-47
Authors:
Amiel, V
Vasse, C
Rohmer, E
Citation: V. Amiel et al., Conversation with Eric Rohmer, POSITIF, (452), 1998, pp. 11-15