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Results: 1-25/253
HEADING INTO THE MILLENNIUM (SIGHT-AND-SOUND-THEATERS IN STRASBURG, PA USES STAGECRAFT TO SPREAD THE WORD OF GOD)
Authors: BARBOUR D
Citation: D. Barbour, HEADING INTO THE MILLENNIUM (SIGHT-AND-SOUND-THEATERS IN STRASBURG, PA USES STAGECRAFT TO SPREAD THE WORD OF GOD), TCI, 1998, pp. 4-5
A SHAKESPEARE SUMMER AT OSF (OREGON SHAKESPEARE FESTIVAL PRESENTED 3 KING-SIZED PRODUCTIONS ON THE OUTDOOR ELIZABETHAN STAGE)
Authors: BARBOUR D
Citation: D. Barbour, A SHAKESPEARE SUMMER AT OSF (OREGON SHAKESPEARE FESTIVAL PRESENTED 3 KING-SIZED PRODUCTIONS ON THE OUTDOOR ELIZABETHAN STAGE), TCI, 32(9), 1998, pp. 15-19
HIGH-WIRE WALKING (PATEL,NEIL DESIGNED 3 HIGH WIRES FOR THE GOODSPEEDOPERA-HOUSE PRODUCTION OF 'MIRETTE')
Authors: BARBOUR D
Citation: D. Barbour, HIGH-WIRE WALKING (PATEL,NEIL DESIGNED 3 HIGH WIRES FOR THE GOODSPEEDOPERA-HOUSE PRODUCTION OF 'MIRETTE'), TCI, 32(9), 1998, pp. 21
A ROSY GLOW (DALLOS,CHRIS CHOSE A WARM PALETTE FOR MARGULIES,DONALD 'COLLECTED STORIES' AT OFF BROADWAY LUCILLE-LORTEL-THEATER TO COMPLEMENT THE PINK LIGHTS FAVORED BY ITS STAR HAGEN,UTA)
Authors: BARBOUR D
Citation: D. Barbour, A ROSY GLOW (DALLOS,CHRIS CHOSE A WARM PALETTE FOR MARGULIES,DONALD 'COLLECTED STORIES' AT OFF BROADWAY LUCILLE-LORTEL-THEATER TO COMPLEMENT THE PINK LIGHTS FAVORED BY ITS STAR HAGEN,UTA), TCI, 32(9), 1998, pp. 24-26
THE STUFF THAT LIGHT IS MADE OF (LIGHTING-DESIGN FOR HYTNER,NICHOLAS PRODUCTION OF 'TWELFTH NIGHT')
Authors: BARBOUR D
Citation: D. Barbour, THE STUFF THAT LIGHT IS MADE OF (LIGHTING-DESIGN FOR HYTNER,NICHOLAS PRODUCTION OF 'TWELFTH NIGHT'), TCI, 32(9), 1998, pp. 67
DENS OF INIQUITY (SET DESIGNER OCONNOR,FRANCIS CREATES DILAPIDATED SETTINGS FOR THE 'BEAUTY QUEEN OF LEENANE' AND 'MR. PETERS CONNECTIONS')
Authors: BARBOUR D
Citation: D. Barbour, DENS OF INIQUITY (SET DESIGNER OCONNOR,FRANCIS CREATES DILAPIDATED SETTINGS FOR THE 'BEAUTY QUEEN OF LEENANE' AND 'MR. PETERS CONNECTIONS'), TCI, 32(8), 1998, pp. 7-9
THERE IS NOTHING LIKE A DAME (BOTTARI,MICHAEL AND CASE,RONALD CREATEDCAMPY, REVEALING COSTUMES FOR 'DAMES AT SEA')
Authors: BARBOUR D
Citation: D. Barbour, THERE IS NOTHING LIKE A DAME (BOTTARI,MICHAEL AND CASE,RONALD CREATEDCAMPY, REVEALING COSTUMES FOR 'DAMES AT SEA'), TCI, 32(8), 1998, pp. 9-10
ACCESSORIZE FOR SUCCESS (IN THE DRAMA-DEPT. REVIVAL OF 'AS THOUSANDS CHEER', EACH CAST MEMBER WORE A BASIC COSTUME TO WHICH INDIVIDUAL PIECES WERE ADDED, PROVIDING COSTUME DESIGNERS BIXBY,JONATHAN AND GALE,GREGORY WITH PLENTY OF CHALLENGES)
Authors: BARBOUR D
Citation: D. Barbour, ACCESSORIZE FOR SUCCESS (IN THE DRAMA-DEPT. REVIVAL OF 'AS THOUSANDS CHEER', EACH CAST MEMBER WORE A BASIC COSTUME TO WHICH INDIVIDUAL PIECES WERE ADDED, PROVIDING COSTUME DESIGNERS BIXBY,JONATHAN AND GALE,GREGORY WITH PLENTY OF CHALLENGES), TCI, 32(8), 1998, pp. 12-13
THE POWERS THAT BE (SET DIRECTOR MCGARTY,MICHAEL FACED WITH A NUMBER OF CHALLENGES DESIGNING 3 COMPLETE-SETS FOR 'POWER PLAYS' AT OFF BROADWAY PROMENADE-THEATER)
Authors: BARBOUR D
Citation: D. Barbour, THE POWERS THAT BE (SET DIRECTOR MCGARTY,MICHAEL FACED WITH A NUMBER OF CHALLENGES DESIGNING 3 COMPLETE-SETS FOR 'POWER PLAYS' AT OFF BROADWAY PROMENADE-THEATER), TCI, 32(8), 1998, pp. 18-19
GOLDEN GLOBE-TROTTING (LANDER,DAVID LIGHTING-DESIGN IS A KEY ELEMENT IN RENDERING 'GOLDEN CHILD'S DETAILED PORTRAIT OF A CULTURE CAUGHT UP IN A PAINFUL MOMENT OF TRANSITION)
Authors: BARBOUR D
Citation: D. Barbour, GOLDEN GLOBE-TROTTING (LANDER,DAVID LIGHTING-DESIGN IS A KEY ELEMENT IN RENDERING 'GOLDEN CHILD'S DETAILED PORTRAIT OF A CULTURE CAUGHT UP IN A PAINFUL MOMENT OF TRANSITION), TCI, 32(7), 1998, pp. 6-7
PIONEER WOMEN (PRODUCTION DESIGNER CHIMENT,MARIE,ANNE WORKED TOGETHERWITH COMPOSER KIMPER,PAULA AND LIBRETTIST PERSONS,WENDE ON THEIR OPERA 'PATIENCE AND SARAH')
Authors: BARBOUR D
Citation: D. Barbour, PIONEER WOMEN (PRODUCTION DESIGNER CHIMENT,MARIE,ANNE WORKED TOGETHERWITH COMPOSER KIMPER,PAULA AND LIBRETTIST PERSONS,WENDE ON THEIR OPERA 'PATIENCE AND SARAH'), TCI, 32(7), 1998, pp. 9-10
ESTA UNVEILS CODE OF CONDUCT (MEMBERS OF THE ENTERTAINMENT-SERVICES-AND-TECHNOLOGY-ASSOCIATION SHARE A COMMON COMMITMENT THROUGH THIS STATEMENT OF ETHICAL PRACTICES TO PROMOTE THE HIGHEST POSSIBLE STANDARDS OFPROFESSIONAL CONDUCT)
Authors: BARBOUR D
Citation: D. Barbour, ESTA UNVEILS CODE OF CONDUCT (MEMBERS OF THE ENTERTAINMENT-SERVICES-AND-TECHNOLOGY-ASSOCIATION SHARE A COMMON COMMITMENT THROUGH THIS STATEMENT OF ETHICAL PRACTICES TO PROMOTE THE HIGHEST POSSIBLE STANDARDS OFPROFESSIONAL CONDUCT), TCI, 32(7), 1998, pp. 14
LYNCH,THOMAS RECEIVES APPLAUSE (SCENIC DESIGNER HONORED BY THE NEW-JERSEY-THEATER-GROUP WITH THE APPLAUSE-AWARD)
Authors: BARBOUR D
Citation: D. Barbour, LYNCH,THOMAS RECEIVES APPLAUSE (SCENIC DESIGNER HONORED BY THE NEW-JERSEY-THEATER-GROUP WITH THE APPLAUSE-AWARD), TCI, 32(7), 1998, pp. 14-14
JUNGLE LIFE (LOQUASTO,SANTO DESIGNS SETS FOR BAITZ,JON,ROBIN 'MIZLANSKY ZILINSKY, OR SCHMUCKS' AND SHEPPARD,SAM 'EYES FOR CONSUELA' AT OFF BROADWAY MANHATTAN-THEATER-CLUB)/
Authors: BARBOUR D
Citation: D. Barbour, JUNGLE LIFE (LOQUASTO,SANTO DESIGNS SETS FOR BAITZ,JON,ROBIN 'MIZLANSKY ZILINSKY, OR SCHMUCKS' AND SHEPPARD,SAM 'EYES FOR CONSUELA' AT OFF BROADWAY MANHATTAN-THEATER-CLUB)/, TCI, 32(5), 1998, pp. 6-6
FOOLS FOR LAMOUR (KELLARD,BILL DESIGNED COSTUMES FOR THE PRODUCTION OF A 'FLEA IN HER EAR' AT NEW-YORK ROUNDABOUT-THEATER)
Authors: BARBOUR D
Citation: D. Barbour, FOOLS FOR LAMOUR (KELLARD,BILL DESIGNED COSTUMES FOR THE PRODUCTION OF A 'FLEA IN HER EAR' AT NEW-YORK ROUNDABOUT-THEATER), TCI, 32(5), 1998, pp. 8-9
JUNIOR-HIGH-SCHOOL CONFIDENTIAL (MCLANE,DEREK DESIGNS SETS FOR THE CONTROVERSIAL 'HAZELWOOD JUNIOR HIGH' PRODUCED BY THE NEW-GROUP STAGED AT IS-70 IN MANHATTANS CHELSEA DISTRICT AND THE 'MAIDENS PRAYER' AT OFFBROADWAY VINEYARD-THEATER)
Authors: BARBOUR D
Citation: D. Barbour, JUNIOR-HIGH-SCHOOL CONFIDENTIAL (MCLANE,DEREK DESIGNS SETS FOR THE CONTROVERSIAL 'HAZELWOOD JUNIOR HIGH' PRODUCED BY THE NEW-GROUP STAGED AT IS-70 IN MANHATTANS CHELSEA DISTRICT AND THE 'MAIDENS PRAYER' AT OFFBROADWAY VINEYARD-THEATER), TCI, 32(5), 1998, pp. 13-14
THE BARD OFF BROADWAY (PATEL,NEIL AND HOLDER,DONALD DESIGN SETS AND LIGHTING FOR PRODUCTIONS OF RICHARD-II AND RICHARD-III AT THE THEATER-AT-ST-CLEMENTS WHILE HERNANDEZ,RICCARDO AND ZIELINSKI,SCOTT DESIGN MACBETH IN A RADICALLY RECONFIGURED MARTINSON-HALL)
Authors: BARBOUR D
Citation: D. Barbour, THE BARD OFF BROADWAY (PATEL,NEIL AND HOLDER,DONALD DESIGN SETS AND LIGHTING FOR PRODUCTIONS OF RICHARD-II AND RICHARD-III AT THE THEATER-AT-ST-CLEMENTS WHILE HERNANDEZ,RICCARDO AND ZIELINSKI,SCOTT DESIGN MACBETH IN A RADICALLY RECONFIGURED MARTINSON-HALL), TCI, 32(5), 1998, pp. 26-28
PRIVATE LIVES (MOYER,ALLEN DESIGNS A NEUTRAL SET FOR DRESSER,RICHARD NEW COMEDY 'GUN SHY' AT NEW-YORK PLAYWRIGHTS-HORIZONS)
Authors: BARBOUR D
Citation: D. Barbour, PRIVATE LIVES (MOYER,ALLEN DESIGNS A NEUTRAL SET FOR DRESSER,RICHARD NEW COMEDY 'GUN SHY' AT NEW-YORK PLAYWRIGHTS-HORIZONS), TCI, 32(4), 1998, pp. 6-7
SIN CITY (BINKLEY,HOWELL LIGHTING-DESIGN FOR 'NEVER THE SINNER' AT OFF BROADWAY JOHN-HOUSEMAN-THEATER IS IN CONSTANT MOTION, TRANSFORMING THE SPACE THROUGH LIGHT ALONE)
Authors: BARBOUR D
Citation: D. Barbour, SIN CITY (BINKLEY,HOWELL LIGHTING-DESIGN FOR 'NEVER THE SINNER' AT OFF BROADWAY JOHN-HOUSEMAN-THEATER IS IN CONSTANT MOTION, TRANSFORMING THE SPACE THROUGH LIGHT ALONE), TCI, 32(4), 1998, pp. 7-9
GALLO,DAVID - AN AWARD-WINNING PRODUCTION WAS ONLY THE BEGINNING TO THIS DESIGNERS MILESTONE YEAR
Authors: BARBOUR D
Citation: D. Barbour, GALLO,DAVID - AN AWARD-WINNING PRODUCTION WAS ONLY THE BEGINNING TO THIS DESIGNERS MILESTONE YEAR, TCI, 32(4), 1998, pp. 30-33
PROJECTING HISTORY (HARRINGTON,WENDALL CREATES PROJECTIONS FOR ALREADY-DEFINED MOMENTS IN 'RAGTIME')
Authors: BARBOUR D
Citation: D. Barbour, PROJECTING HISTORY (HARRINGTON,WENDALL CREATES PROJECTIONS FOR ALREADY-DEFINED MOMENTS IN 'RAGTIME'), TCI, 32(4), 1998, pp. 44-44
THE RHYTHM OF LIGHT (FISHER,JULES AND EISENHAUER,PEGGY HAVE CREATED ASWEEPINGLY CINEMATIC LIGHTING-DESIGN FOR 'RAGTIME')
Authors: BARBOUR D
Citation: D. Barbour, THE RHYTHM OF LIGHT (FISHER,JULES AND EISENHAUER,PEGGY HAVE CREATED ASWEEPINGLY CINEMATIC LIGHTING-DESIGN FOR 'RAGTIME'), TCI, 32(4), 1998, pp. 44-44
DAMNED YANKEES (COSIER,E.DAVID SET DESIGNS FOR MILLER,ARTHUR 'I CANT REMEMBER ANYTHING' AND THE 'LAST YANKEE', PRODUCED BY THE SIGNATURE-COMPANY, PLAYED WITH SPATIAL RELATIONSHIPS)
Authors: BARBOUR D
Citation: D. Barbour, DAMNED YANKEES (COSIER,E.DAVID SET DESIGNS FOR MILLER,ARTHUR 'I CANT REMEMBER ANYTHING' AND THE 'LAST YANKEE', PRODUCED BY THE SIGNATURE-COMPANY, PLAYED WITH SPATIAL RELATIONSHIPS), TCI, 32(3), 1998, pp. 6-7
BOYS LIFE (BAIRD,CAMPBELL DESIGNED THE SCENERY AND COSTUMES FOR THE NEW MUSICAL VERSION OF 'PETER PAN' PREMIERED BY THE CHILDRENS-THEATER-COMPANY-OF-MINNEAPOLIS)
Authors: BARBOUR D
Citation: D. Barbour, BOYS LIFE (BAIRD,CAMPBELL DESIGNED THE SCENERY AND COSTUMES FOR THE NEW MUSICAL VERSION OF 'PETER PAN' PREMIERED BY THE CHILDRENS-THEATER-COMPANY-OF-MINNEAPOLIS), TCI, 32(3), 1998, pp. 7-9
CHRISTMAS EVIL (COSTUMES DESIGNED BY WISH,P.K. FOR 'CHRISTMAS AT THE IVANOVS' AT CLASSIC-STAGE-COMPANY WERE PAINTED AND FILLED WITH BIZARREDETAILS)
Authors: BARBOUR D
Citation: D. Barbour, CHRISTMAS EVIL (COSTUMES DESIGNED BY WISH,P.K. FOR 'CHRISTMAS AT THE IVANOVS' AT CLASSIC-STAGE-COMPANY WERE PAINTED AND FILLED WITH BIZARREDETAILS), TCI, 32(3), 1998, pp. 10-13
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