Citation: D. Barbour, STRICTLY BUSINESS -LOOKING SETTING FOR BOGART,ANNE PRODUCTION OF THE 'ADDING MACHINE' AT ACTORS-THEATER OF LOUISVILLE( PATEL,NEIL DESIGNED A SLEEKLY MODERN), TCI, 29(4), 1995, pp. 6-6
Citation: D. Barbour, WAR WIDOWS + SISSONS,NARELLE CREATED A STARK WHITE ENVIRONMENT ADAPTABLE TO THE SCENIC CHANGES NECESSARY FOR THE FOCUS ON EACH OF THE CHARACTERS IN THE 3 SHORT PLAYS OF MCLAUGHLIN,ELLEN 'IPHIGENIA AND OTHER DAUGHTERS', TCI, 29(4), 1995, pp. 7-7
Citation: D. Barbour, PLAYING POST-OFFICE -DESIGNER NOONE,JAMES STRATEGICALLY PLACES FURNITURE PIECES ON AN OPEN STAGE TO CREATE THE FEELING OF HOUSE AND OUTDOORS FOR SWEET,JEFFREY MUSICAL ADAPTATION OF 'I SENT A LETTER TO MY LOVE'( SCENIC), TCI, 29(4), 1995, pp. 7-8
Citation: D. Barbour, O-HOLY-NIGHT -DESIGNER FOR SEARS,JOE AND WILLIAMS,JASTON PRODUCTION OF A 'TUNA CHRISTMAS'( FISHER,LINDA COSTUME), TCI, 29(3), 1995, pp. 8-8
Citation: D. Barbour, A DESIGNER SKETCHBOOK FOR AN 'ITALIAN STRAW HAT' -THEATER-OF-THE-DEAFTOURING PRODUCTION( BERLINER,CHARLES COSTUME DESIGNS FOR THE NATIONAL), TCI, 29(3), 1995, pp. 62-62
Citation: D. Barbour, WILDE THING -DESIGNER FOR BARTLETT,NEIL ADAPTATION OF THE 'PICTURE OFDORIAN GRAY'( FISHER,RICK LIGHTING), TCI, 29(2), 1995, pp. 7-7
Citation: D. Barbour, FADE OUT, FADE IN -CONCEPT FOR 'LOVE VALOUR COMPASSION'( DESIGNER ARCENAS,LOY USED THE ART OF COLLAGE TO RENDER HIS DESIGN), TCI, 29(1), 1995, pp. 6-6
Citation: D. Barbour, A TREE GROWS IN BOSTON + PATEL,NEIL 'SCARLET LETTER' SET FEATURED SCATTERED TOMBSTONES AND TREES SPROUTING THROUGH A DECK, TCI, 29(1), 1995, pp. 7-7