Authors: BOENIG R

Citation: R. Boenig, THE ANGLO-SAXON HARP -INSTRUMENT USAGE IN OLD-ENGLISH POETRY, PROSODY, AND COMPOSITION( ARCHAEOLOGICAL, ONOMASTIC, AND ICONOGRAPHICAL EVIDENCE (ALBEIT INCONCLUSIVE) OF REFERENTIAL INSTANCES OF MUSICAL), Speculum, 71(2), 1996, pp. 290-320

Authors: BOENIG R

Citation: R. Boenig, IS THE 'MONKS TALE' A FRAGMENT, Notes and queries, 43(3), 1996, pp. 261-264

Authors: BOENIG R

Citation: R. Boenig, THE 'ABBEY OF THE HOLY GHOST' AND THE 'CHARTER OF THE ABBEY OF THE HOLY GHOST' -TRANSLATIONS OF 2 ANONYMOUS MIDDLE-ENGLISH DEVOTIONAL PIECES FOR LAYPEOPLE( MODERN ENGLISH), Studia mystica, 16(1), 1995, pp. 133-163

Authors: BOENIG R

Citation: R. Boenig, CHAUCER,GEOFFREY AND HIS FRENCH CONTEMPORARIES - NATURAL MUSIC IN THE14TH-CENTURY - WIMSATT,JI, Speculum, 69(1), 1994, pp. 273-275

Authors: BOENIG R

Citation: R. Boenig, JANUARYS TRUMPETS + CHAUCER AND MEDIEVAL MUSIC, English language notes, 32(1), 1994, pp. 19-23