Citation: D. Barbour, You'll know who (A report of recent projects, events and industry-related issues in the current entertainment design scene), ENTERTAIN D, 35(9), 2001, pp. 8-9
Citation: D. Barbour, The lights of Broadway (Peter Kaczorowski collaborates with director/choreographer Susan Stroman on The 'Producers'), ENTERTAIN D, 35(9), 2001, pp. 35
Citation: D. Barbour, Avon calling - Putting the Beard, and the bodice, on the Bard (Walker Hicklin designs most of the costumes for Amy Freed's new comedy The 'Beard of Avon'), ENTERTAIN D, 35(8), 2001, pp. 4-4
Citation: D. Barbour, You'll know who (A report of recent projects, events and industry-related issues in the current entertainment design scene), ENTERTAIN D, 35(8), 2001, pp. 6-6
Citation: D. Barbour, Blasted heaths - Two gritty sets by Doug Stein (Bond's 'Saved' and Shakespeare's 'Troilus and Cressida' at Off Broadway's Theatre-for-a-New-Audience), ENTERTAIN D, 35(7), 2001, pp. 4-4
Citation: D. Barbour, You'll know who (A report of recent controversies, projects and issues in the entertainment design industry), ENTERTAIN D, 35(7), 2001, pp. 6-7
Citation: D. Barbour, You'll know who (A report of recent controversies, projects and issues in the entertainment design industry), ENTERTAIN D, 35(5), 2001, pp. 6-6
Citation: D. Barbour, Space opera - Designing an out-of-this-world fundraiser for Opera-Pacific (Kenneth Foy, Jason Kantrowitz and Trace Goodman collaborate on '2001, an Opera Odyssey' charity ball), ENTERTAIN D, 35(5), 2001, pp. 7-7
Citation: D. Barbour, An Eyre of mystery - Broadway's 'Jane Eyre' features a groundbreaking scenic and lighting design, ENTERTAIN D, 35(5), 2001, pp. 28
Citation: D. Barbour et E. Lampert-greaux, California, here it comes - Disney's California-Adventure celebrates the Golden State, ENTERTAIN D, 35(5), 2001, pp. 34-43
Citation: D. Barbour et M. Sotto, Marilyn Sotto (An interview with the senior costume designer at Walt-Disney-World), ENTERTAIN D, 35(4), 2001, pp. 14-14
Citation: D. Barbour, You'll know who (A report of recent controversies, projects and issues in the entertainment design industry), ENTERTAIN D, 35(3), 2001, pp. 16-17
Citation: D. Barbour, We have always lived in the castle (Designers John Armone and Don Holder had to work with the limitations of the Second-Stage space for the production of 'Tiny Alice'), ENTERTAIN D, 35(2), 2001, pp. 8-11
Citation: D. Barbour, You'll know who (A report of recent controversies, projects and issues in the entertainment design industry), ENTERTAIN D, 35(2), 2001, pp. 9-9
Citation: D. Barbour, Smoke & mirrors - Designing New York's Fire Safety Learning Center (FDNY Fire Zone exhibit teaches children how to identify fire hazards in their homes), ENTERTAIN D, 35(2), 2001, pp. 33-34
Citation: D. Barbour, Stayin' alive (Bob Mackie's designer sketchbook for the new Off Braodway musical 'Pete 'n Keely'), ENTERTAIN D, 35(2), 2001, pp. 54-54
Citation: D. Barbour, You'll know who (A report of recent controversies, projects and issues in the entertainment design industry), ENTERTAIN D, 35(1), 2001, pp. 6-7
Citation: D. Barbour, It's a slippery slope (Set designer Douglas Stein collaborated with performer Bill Irwin to create the impassable and mountainous set for 'Texts for Nothing' at CSC), ENTERTAIN D, 35(1), 2001, pp. 7-9
Citation: D. Barbour, Alice in videoland (Joan MacIntosh was surrounded by video projections in Susan Sontag's 'Alice in Bed' at New-York-Theatre-Workshop), ENTERTAIN D, 35(1), 2001, pp. 9-10