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Authors: CHRISTIE I GANSER GH WILDER JW
Citation: I. Christie et al., NUMERICAL-SOLUTION OF A 2-DIMENSIONAL FLUIDIZED-BED MODEL, International journal for numerical methods in fluids, 28(3), 1998, pp. 381-394

Authors: CHRISTIE I
Citation: I. Christie, FILM THEORY AND PHILOSOPHY - ALLEN,R, SMITH,M, Sight and sound, 8(5), 1998, pp. 30-30

Authors: CHRISTIE I
Citation: I. Christie, THE FILMS OF GREENAWAY,PETER - LAWRENCE,A, Sight and sound, 8(5), 1998, pp. 30-30

Authors: CHRISTIE I
Citation: I. Christie, THE AESTHETICS AND PSYCHOLOGY OF THE CINEMA - MITRY,J, Sight and sound, 8(5), 1998, pp. 30-30

Authors: CHRISTIE I
Citation: I. Christie, PAKISTAN CINEMA 1947-1997 - GAZDAR,M, Sight and sound, 8(5), 1998, pp. 33-33

Authors: CHRISTIE I
Citation: I. Christie, THE FINEST YEARS - BRITISH CINEMA OF THE 1940S - DRAZIN,C, Sight and sound, 8(5), 1998, pp. 33-33

Authors: CHRISTIE I
Citation: I. Christie, MUSIC AND THE SILENT-FILM - CONTEXTS AND CASE-STUDIES 1895-1924 - MILLER,M, Sight and sound, 8(5), 1998, pp. 33-33

Authors: CHRISTIE I
Citation: I. Christie, SILENT CINEMA - WORLD CINEMA BEFORE THE COMING OF SOUND - FINLER,JW, Sight and sound, 8(5), 1998, pp. 33-33

Authors: CHRISTIE I
Citation: I. Christie, POSTMODERN AFTER-IMAGES - A READER IN FILM, TELEVISION AND VIDEO - BROOKER,P, BROOKER,W, Sight and sound, 8(5), 1998, pp. 34-34

Authors: CHRISTIE I
Citation: I. Christie, RETURNING TO ZERO (SOKUROV,ALEKSANDR AND HIS LATEST FILM, 'MOTHER ANDSON'), Sight and sound, 8(4), 1998, pp. 14-17

Authors: CHRISTIE I
Citation: I. Christie, IMAGINING REALITY - THE FABER BOOK OF THE DOCUMENTARY - MACDONALD,K, COUSINS,M, TLS. Times literary supplement, (4924), 1997, pp. 19-19

Authors: CHRISTIE I
Citation: I. Christie, ENGLAND ABSURDIST (THE REDISCOVERED 1932 QUOTA QUICKIE, 'HIS LORDSHIP', BY POWELLS,MICHAEL), Sight and sound, 1997, pp. 10-11

Authors: CHRISTIE I MATTHEWS P RODDICK N
Citation: I. Christie et al., OUR QUARTERLY REVIEW OF RECENTLY PUBLISHED FILM BOOKS, Sight and sound, 7(8), 1997, pp. 30-33

Authors: CHRISTIE I
Citation: I. Christie, OPHULS,MAX IN THE HOLLYWOOD STUDIOS - BACHER,L, Sight and sound, 7(5), 1997, pp. 33-33

Authors: CHRISTIE I
Citation: I. Christie, MOVIE-MAKERS AND PICTURE PALACES - A CENTURY OF CINEMA IN YORKSHIRE 1896-1996 - MELLOR,GJ, Sight and sound, 7(5), 1997, pp. 33-33

Authors: CHRISTIE I
Citation: I. Christie, THE 3RD EYE - RACE, CINEMA, AND ETHNOGRAPHIC SPECTACLE - RONY,FT, Sight and sound, 7(5), 1997, pp. 33-33

Authors: CHRISTIE I
Citation: I. Christie, PASOLINI - FORMS OF SUBJECTIVITY - GORDON,RSC, Sight and sound, 7(5), 1997, pp. 34-34

Authors: CHRISTIE I
Citation: I. Christie, PERSPECTIVES ON KUBRICK,STANLEY - FALSETTO,M, Sight and sound, 7(5), 1997, pp. 34-34

Authors: CHRISTIE I
Citation: I. Christie, IN DIFFERENT SPACES - PLACE AND MEMORY IN VISUAL CULTURE - BURGIN,V/, Sight and sound, 7(5), 1997, pp. 34-34

Authors: CHRISTIE I
Citation: I. Christie, CONTESTING TEARS - THE HOLLYWOOD MELODRAMA OF THE UNKNOWN WOMAN - CAVELL,S, Sight and sound, 7(5), 1997, pp. 34-34

Authors: CHRISTIE I
Citation: I. Christie, BEING NAKED - PLAYING DEAD - THE ART OF GREENAWAY,PETER - WOODS,A, Sight and sound, 7(5), 1997, pp. 34-34

Authors: CHRISTIE I
Citation: I. Christie, WOMEN IN THE METROPOLIS - GENDER AND MODERNITY IN WEIMAR CULTURE - ANKUM,KV, Sight and sound, 7(5), 1997, pp. 35-35

Authors: CHRISTIE I
Citation: I. Christie, AFTER THEORY - DOCHERTY,T, Sight and sound, 7(5), 1997, pp. 35-35

Authors: CHRISTIE I
Citation: I. Christie, THE MEMOIRS OF GUYBLACHE,ALICE - SLIDE,A, Sight and sound, 7(5), 1997, pp. 35-35

Authors: CHRISTIE I
Citation: I. Christie, MY YEARS WITH APU - RAY,S, Sight and sound, 7(5), 1997, pp. 35-35
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