Citation: C. Coquio, FICTIONAL BODY AND DYING BODY - IS 'DISGR ACE COURONNEE DEPINES' BY GOLBERG,MECISLAS A DECADENT TEXT, Romantisme, 26(94), 1996, pp. 49-71
Citation: C. Coquio, FROM THE ORIGIN OF RACES TO THE BEGINNING S OF ART - HISTORY OF AN ANTHROPOLOGY (1893-1907), GOLBERG,MECISLAS, Romantisme, 24(84), 1994, pp. 51-68
Citation: C. Coquio, HUYSMANS,JK - 'A VAU-LEAU' FOLLOWED BY 'S ONNET SAIGNANT' AND 'SONNETMASCULIN' - FRENCH - COLIN,RP, EDITOR AND ANNOTATOR, Revue d'histoire litteraire de la France, 94(2), 1994, pp. 350-350
Citation: C. Coquio, RENAN OR NIETZSCHE, SUPERHUMANS, MUCH TO HUMANS - GOLDBERG,MECISLAS, THE SCENOGRAPHER OF A CRISIS OF THE THOUGHT AROUND 1900, Revue d'histoire litteraire de la France, 94(1), 1994, pp. 165-173
Citation: C. Coquio, 'CARCASSES DIVINES' -FRANCAISE - A NEGATIVE ANTHROPOLOGY OF ACTORS INTHE EARLY-20TH-CENTURY( ROUVEYRE,ANDRE, AN ICONOCLAST AT THE COMEDIE), Revue de la Societe d'histoire du theatre, 46(2), 1994, pp. 103-116
Citation: C. Coquio, THE DESIRE FOR ASCENDANCY IN HUYSMANS,JK 'A REBOURS' - FRENCH - LIMATLETELLIER,N, Revue d'histoire litteraire de la France, 93(5), 1993, pp. 770-770