Citation: T. Cripps, SO THEIR EYES WONT GLAZE OVER - HOW TELEVISION-NEWS DEFINED THE DEBATE OVER THE SMITHSONIAN ENOLA-GAY EXHIBIT (HIROSHIMA, ATOMIC-BOMB), Wide angle, 20(2), 1998, pp. 77-104
Citation: T. Cripps, BLACKFACE, WHITE-NOISE - JEWISH IMMIGRANTS IN THE HOLLYWOOD MELTING-POT - ROGIN,M, The Journal of American history, 83(4), 1997, pp. 1462-1463
Citation: T. Cripps, STATEMENTS BY EDUCATORS LIBRARY-OF-CONGRESS HEARINGS, LOS-ANGELES, NEW-YORK-CITY, AND WASHINGTON, DC, MARCH 1996, Historical journal of film radio and television, 16(3), 1996, pp. 401-403
Citation: T. Cripps, REVISIONING HISTORY - FILM AND THE CONSTRUCTION OF A NEW PAST - ROSENSTONE,RA, The American historical review, 101(4), 1996, pp. 1175-1175
Citation: T. Cripps, ON THE REAL SIDE - LAUGHING, LYING, AND SIGNIFYING - THE UNDERGROUND TRADITION OF AFRICAN-AMERICAN HUMOR THAT TRANSFORMED AMERICAN CULTURE,FROM SLAVERY TO PRYOR,RICHARD - WATKINS,M, The American historical review, 100(3), 1995, pp. 945-946
Authors:
VILLANI GQ
PIEPOLI M
CRIPPS T
ROSI A
GAZZOLA U
Citation: Gq. Villani et al., ATRIAL LATE POTENTIALS IN PATIENTS WITH PAROXYSMAL ATRIAL-FIBRILLATION DETECTED USING A HIGH-GAIN, SIGNAL-AVERAGED ESOPHAGEAL LEAD, PACE, 17(6), 1994, pp. 1118-1123
Citation: T. Cripps, A WHITE SCHOLAR AND THE BLACK-COMMUNITY, 1945-1965 - ESSAYS AND REFLECTIONS - MEIER,A, The Journal of southern history, 60(2), 1994, pp. 436-436
Citation: T. Cripps, FROM HARLEM TO HOLLYWOOD, THE STRUGGLE FOR RACIAL AND CULTURAL DEMOCRACY, 1920-1943 - TYLER,BM, The Western historical quarterly, 24(4), 1993, pp. 594-595