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Results: 151-175/357
Federico Fellini, narrator and humorist 1939-1942
Authors: Comuzio, E
Citation: E. Comuzio, Federico Fellini, narrator and humorist 1939-1942, CINEFORUM, 40(10), 2000, pp. 91-91
Orson Welles
Authors: Comuzio, E
Citation: E. Comuzio, Orson Welles, CINEFORUM, 40(10), 2000, pp. 91-92
Welles's 'Othello'
Authors: Comuzio, E
Citation: E. Comuzio, Welles's 'Othello', CINEFORUM, 40(10), 2000, pp. 91-92
Aliens and bats. Form as a critical problem in contemporary cinema
Authors: Comuzio, E
Citation: E. Comuzio, Aliens and bats. Form as a critical problem in contemporary cinema, CINEFORUM, 40(10), 2000, pp. 91-91
Pedro Almodovar
Authors: Comuzio, E
Citation: E. Comuzio, Pedro Almodovar, CINEFORUM, 40(10), 2000, pp. 92-93
The triumph of being there. Theory and practice in the last films of P.P. Pasolini
Authors: Comuzio, E
Citation: E. Comuzio, The triumph of being there. Theory and practice in the last films of P.P. Pasolini, CINEFORUM, 40(10), 2000, pp. 92-92
Films and psychiatry
Authors: Comuzio, E
Citation: E. Comuzio, Films and psychiatry, CINEFORUM, 40(10), 2000, pp. 92-92
Hot-off-the-press manual for reading and writing movies
Authors: Comuzio, E
Citation: E. Comuzio, Hot-off-the-press manual for reading and writing movies, CINEFORUM, 40(10), 2000, pp. 93-93
The Coen-Brothers movies
Authors: Comuzio, E
Citation: E. Comuzio, The Coen-Brothers movies, CINEFORUM, 40(10), 2000, pp. 93-93
Clint Eastwood
Authors: Comuzio, E
Citation: E. Comuzio, Clint Eastwood, CINEFORUM, 40(10), 2000, pp. 93-93
Victor Mature. From the Val-Rendena to Hollywood
Authors: Comuzio, E
Citation: E. Comuzio, Victor Mature. From the Val-Rendena to Hollywood, CINEFORUM, 40(10), 2000, pp. 93-94
Kenneth Branagh
Authors: Comuzio, E
Citation: E. Comuzio, Kenneth Branagh, CINEFORUM, 40(10), 2000, pp. 94-94
James Cameron
Authors: Comuzio, E
Citation: E. Comuzio, James Cameron, CINEFORUM, 40(10), 2000, pp. 94-94
Images of pleasure
Authors: Comuzio, E
Citation: E. Comuzio, Images of pleasure, CINEFORUM, 40(10), 2000, pp. 94-95
Paper movies. A photographic history of Italian cinema
Authors: Comuzio, E
Citation: E. Comuzio, Paper movies. A photographic history of Italian cinema, CINEFORUM, 40(10), 2000, pp. 94-94
Alberto Sordi
Authors: Comuzio, E
Citation: E. Comuzio, Alberto Sordi, CINEFORUM, 40(10), 2000, pp. 94-94
Limits of representation. Censorship, the visible, methods of representation in film
Authors: Comuzio, E
Citation: E. Comuzio, Limits of representation. Censorship, the visible, methods of representation in film, CINEFORUM, 40(10), 2000, pp. 95-95
Pietro Germi's 'Signore & Signori' - A humorous look at middle-class hypocrisy
Authors: Comuzio, E
Citation: E. Comuzio, Pietro Germi's 'Signore & Signori' - A humorous look at middle-class hypocrisy, CINEFORUM, 40(10), 2000, pp. 95-95
Polidor's gold. Ferdinand Guillaume at the Cineteca-Italiana
Authors: Comuzio, E
Citation: E. Comuzio, Polidor's gold. Ferdinand Guillaume at the Cineteca-Italiana, CINEFORUM, 40(10), 2000, pp. 95-95
Music as a film topos at the 57th Mostra-di-Venezia? More than enough is too much
Authors: Comuzio, E
Citation: E. Comuzio, Music as a film topos at the 57th Mostra-di-Venezia? More than enough is too much, CINEFORUM, 40(10), 2000, pp. 96-96
Il 'pesce innamorato'
Authors: Comuzio, E
Citation: E. Comuzio, Il 'pesce innamorato', CINEFORUM, 40(1), 2000, pp. 44-45
Joao Cesar Monteiro
Authors: Comuzio, E
Citation: E. Comuzio, Joao Cesar Monteiro, CINEFORUM, 40(1), 2000, pp. 63-64
American war cinema 1968-1999
Authors: Comuzio, E
Citation: E. Comuzio, American war cinema 1968-1999, CINEFORUM, 40(1), 2000, pp. 93-93
Riccardo Freda
Authors: Comuzio, E
Citation: E. Comuzio, Riccardo Freda, CINEFORUM, 40(1), 2000, pp. 94-94
How Hitchcock directed 'Psycho'
Authors: Comuzio, E
Citation: E. Comuzio, How Hitchcock directed 'Psycho', CINEFORUM, 40(1), 2000, pp. 94-94
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