Authors: DITTRICH MA

Citation: Ma. Dittrich, THE RECEPTION, ARRANGEMENT AND INTERPRETA TION OF EARLY MUSIC IN THE 19TH-CENTURY, A SYMPOSIUM HELD IN BASEL, SWITZERLAND, MAY 1997, Osterreichische Musikzeitschrift, 52(8), 1997, pp. 46-46

Authors: DIEDERICHSLAFITE M NEUNZIG HA HANSSEN F TURNER I RONNEWINKEL A KNORR J MELKERT H DIEDERICHS J KRAWINKEL G DITTRICH MA DOMBROWSKI R SCHMIDT M ZANETTI B PIETSCHMANN K TIMM U POESCHEL B BAIER C COSSE P DOBNER W HOPFEL J KAGER R KRAMER G MERTL M ROGL H WAGNER M

Citation: M. Diederichslafite et al., PRINCIPLES OF MUSIC-CRITICISM - AN INTERV IEW WITH MEMBERS OF THE BERTELSMANN MUSICOLOGICAL SEMINAR, Osterreichische Musikzeitschrift, 51(8), 1996, pp. 504-519

Authors: DITTRICH MA

Citation: Ma. Dittrich, POLITICAL CORRECTNESS, Musica, 50(4), 1996, pp. 268-271

Authors: DITTRICH MA

Citation: Ma. Dittrich, MELODY - A READER AND WORKBOOK - GERMAN - DELAMOTTE,D, Musica, 48(6), 1994, pp. 365-366

Authors: DITTRICH MA

Citation: Ma. Dittrich, BACH,JOHANN,SEBASTIAN 'KUNST DER FUGE' - IDEOLOGIES, ORIGIN, ANALYSIS- GERMAN - SCHLEUNING,P, Musica, 48(1), 1994, pp. 47-48

Authors: DITTRICH MA

Citation: Ma. Dittrich, ESSAYS, 1987-1992 - GERMAN - ZACHER,G, Musica, 48(1), 1994, pp. 47-48