Citation: A. Dumling et G. Eisler, THE CHANGE OF PLACE - BETWEEN VIENNA AND BERLIN (AN INTERVIEW WITH THE GERMAN PAINTER EISLER,GEORG, SON OF THE COMPOSER EISLER,HANNS), Osterreichische Musikzeitschrift, 53(7-8), 1998, pp. 42-61
Citation: A. Dumling, MAN-RESIGNIERT-NICHT, MAN-ARBEITET-WEITER . - AN INTERVIEW WITH HENZE,HANS,WERNER ON MUSIC AND POLITICS, Neue Zeitschrift fur Musik, 157(4), 1996, pp. 4-11
Citation: A. Dumling, MUSIC STUDIES AND NAZI IDEOLOGY - THE EXA MPLE OF INNSBRUCK UNIVERSITY, 1938-1945 - GERMAN - DREXEL,K, Jahrbuch fur Volksliedforschung, 41, 1996, pp. 143-144
Citation: A. Dumling, 11TH INTERNATIONAL-CONFERENCE OF THE GESE LLSCHAFT-FUR-MUSIKFORSCHUNG, SEPTEMBER 27 TO OCTOBER 1, 1993, Zeitschrift fur Semiotik, 16(1-2), 1994, pp. 163-164
Citation: A. Dumling, MUSIC AND MEMORY - A COLLOQUIUM IN COMMEM ORATION OF EISLER,HANNS 90TH BIRTHDAY - PROCEEDINGS OF THE COLLOQUIUMS HELD ON MARCH 26, 1988 IN HALLE AND ON APRIL 23, 1988 IN MICHAELSTEIN - GERMAN - THOM,E, Die Musikforschung, 47(1), 1994, pp. 105-106
Citation: A. Dumling, A DIFFICULT CRAFT OF HOPE - EISLER,HANNS 'HOLLYWOODER LIEDERBUCH' (1942 43) - GERMAN - ALBERT,C/, Osterreichische Musikzeitschrift, 48(5), 1993, pp. 309-310
Citation: A. Dumling, ON THE ROAD TO THE PEOPLES-COMMUNITY (VOLKSGEMEINSCHAFT), THE FORCED CONFORMITY OF THE BERLIN-ACADEMY-OF-MUSIC UNDER FASCISM, The Musical quarterly, 77(3), 1993, pp. 459-483