Authors: Dale E. Monson

Citation: Dale E. Monson, Evidence for Pergolesi's compositional method for the stage : the Flaminio autograph, Studi pergolesiani Pergolesi studies, 2, 1988, pp. 49-66

Authors: Dale E. Monson

Citation: Dale E. Monson, The last word : the cadence in "recitativo semplice" of Italian opera seria, Studi pergolesiani Pergolesi studies, 1, 1986, pp. 89-106

Authors: Dale E. Monson

Citation: Dale E. Monson, "Semplice o secco" : continuo declamation in early 18th-century Italian recitative, Studi pergolesiani Pergolesi studies, 1, 1986, pp. 107-115

Authors: Dale E. Monson

Citation: Dale E. Monson, Angelo Maria Monticelli and the Revival of Pergolesi's L'olimpiade, Studi pergolesiani Pergolesi studies, 3, 1999, pp. 211-232

Authors: Dale E. Monson

Citation: Dale E. Monson, Drama in Pergolesi's opere serie: Expression and Tradition, Studi pergolesiani Pergolesi studies, 4, 2000, pp. 273-291

Authors: Dale E. Monson

Citation: Dale E. Monson, Galuppi, Tenducci, and Motezuma : a commentary on the history and musical style of opera seria after 1750, Quaderni della Rivista italiana di musicologia , 13, 1986, pp. 279-300