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Results: 1-8 |
Results: 8

Authors: Combs, R Durgnat, R
Citation: R. Combs et R. Durgnat, Shakespeare: A chaos theory (Comtemprary film adaptation), FILM COMM, 37(4), 2001, pp. 56

Authors: Combs, R Durgnat, R
Citation: R. Combs et R. Durgnat, The 'Celebration', FILM COMM, 36(5), 2000, pp. 28-32

Authors: Combs, R Durgnat, R
Citation: R. Combs et R. Durgnat, The 'Idiots', FILM COMM, 36(5), 2000, pp. 28-32

Authors: Combs, R Durgnat, R
Citation: R. Combs et R. Durgnat, The 'Blair Witch Project', FILM COMM, 36(5), 2000, pp. 28-32

Authors: Combs, R Durgnat, R
Citation: R. Combs et R. Durgnat, 'Lovers', FILM COMM, 36(5), 2000, pp. 28-32

Authors: Combs, R Durgnat, R
Citation: R. Combs et R. Durgnat, The 'King Is Alive', FILM COMM, 36(5), 2000, pp. 28-32

Authors: Durgnat, R
Citation: R. Durgnat, The business of fear - Crimes, thrills, death - Hitchcock's English films play on dread of the law, but keep sympathy with the outsider, SIGHT SOUND, 1999, pp. 2-11

Authors: Durgnat, R
Citation: R. Durgnat, 'Pickpocket' (Robert Bresson's film upfronts the unknowability of soul anddestiny), FILM COMM, 35(3), 1999, pp. 48
Risultati: 1-8 |