Citation: A. Esterhammer, THE EXPERIENCE OF THE FOREIGN - CULTURE AND TRANSLATION IN ROMANTIC GERMANY - BERMAN,A, Wordsworth circle, 27(4), 1996, pp. 232-235
Citation: A. Esterhammer, LEAVES OF MOURNING - HOLDERLIN LATE WORK - WITH AN ESSAY ON KEATS ANDMELANCHOLY - HAVERKAMP,A, Wordsworth circle, 27(4), 1996, pp. 232-235
Citation: A. Esterhammer, THE LITERARY ABSOLUTE - THE THEORY OF LITERATURE IN GERMAN ROMANTICISM - LACOUELABARTHE,P, NANCY,JL, Wordsworth circle, 27(4), 1996, pp. 232-235
Citation: A. Esterhammer, FROM FIAT TO THOU-SHALT-NOT - REFLECTIONS ON GENESIS, ROMANTICISM ANDLANGUAGE, History of European ideas, 20(4-6), 1995, pp. 699-705
Citation: A. Esterhammer, CREATION, SUBJECTIVITY, AND LINGUISTIC STRUCTURE IN 'PARADISE LOST', MILTON WITH SAUSSURE AND BENVENISTE, English studies in Canada, 20(3), 1994, pp. 267-282
Citation: A. Esterhammer, CONVENTION AND INNOVATION - ORIGINAL AND BORROWED MATERIALS IN THE ILLUSTRATIONS OF BLAKE,WILLIAM AND IN THE BRITISH ART OF HIS TIME - GERMAN - DORRBECKER,DW, Blake, 27(3), 1994, pp. 76-77
Citation: A. Esterhammer, SPEECH ACTS AND WORD-CREATION, THE DUAL FUNCTION OF THE PERFORMATIVE, Canadian review of comparative literature, 20(3-4), 1993, pp. 285-304