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Results:
1-8
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Results: 8
Authors:
GRASSKAMP W
Citation: W. Grasskamp, THE ART OF ARTS - REMINISCENCES OF FINE-A RTS - GERMAN - ALBUS,A, Sinn und Form, 50(3), 1998, pp. 451-453
Authors:
GRASSKAMP W
Citation: W. Grasskamp, WHEN EVERYTHING BECOMES A SIGN - SCIENTIF IC PSEUDO-REVOLUTIONS, Neue Rundschau, 109(3), 1998, pp. 52-56
Authors:
GRASSKAMP W
Citation: W. Grasskamp, IS MODERNISM AN EPOCH, Merkur, 52(9-10), 1998, pp. 757-765
Authors:
GRASSKAMP W
Citation: W. Grasskamp, THE EMPERORS 2 DRESSES - AN ESSAY ON TODA YS ARTISTIC FORMS, Merkur, 52(4), 1998, pp. 354
Authors:
GRASSKAMP W
Citation: W. Grasskamp, DUCHAMP SEEN AS A GENIUS, Merkur, 52(2), 1998, pp. 95-103
Authors:
GRASSKAMP W
Citation: W. Grasskamp, SALVATION FOR SALE - A BRIEF APOLOGY FOR CONSUMPTION, Merkur, 50(2), 1996, pp. 138-146
Authors:
GRASSKAMP W
Citation: W. Grasskamp, DISTANCING FROM THE TROUPE - AVANT-GARDE AS A METAPHOR, Neue Rundschau, 106(4), 1995, pp. 15-19
Authors:
GRASSKAMP W
Citation: W. Grasskamp, THE BIGGEST MASQUERADE, CRITICISM OF THE CULTURAL-REVOLUTION OF THE 1960S, Neue Rundschau, 106(1), 1995, pp. 22-56
Risultati:
1-8
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