Citation: Gordana Lazarevich, From Naples to paris : transformations of Pergolesi's intermezzo "Livietta e Tracollo" by contemporary buffo singers, Studi pergolesiani Pergolesi studies, 1, 1986, pp. 149-165
Citation: Gordana Lazarevich, Transformation of an intermezzo : Cimarosa's il pittor parigino as a reflection of 18th-century operatic performance practices, Quaderni della Rivista italiana di musicologia , 28, 1993, pp. 175-189