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Results: 1-8 |
Results: 8

Authors: HAGBERG GL
Citation: Gl. Hagberg, DENCOMBE FINAL MOMENTS - A MICROCOSM OF JAMESIAN PHILOSOPHY (JAMES,HENRY), The Henry James review, 18(3), 1997, pp. 223-233

Authors: HAGBERG GL
Citation: Gl. Hagberg, WITTGENSTEIN AND CRITICAL-THEORY - BEYOND POSTMODERN CRITICISM AND TOWARD DESCRIPTIVE INVESTIGATIONS - BRILL,SB, Philosophical quarterly, 47(186), 1997, pp. 103-106

Authors: HAGBERG GL
Citation: Gl. Hagberg, INTO THE LIGHT OF THINGS, THE ART OF THE COMMONPLACE FROM WORDSWORTH TO CAGE,JOHN - LEONARD,GJ, The Journal of aesthetics and art criticism, 54(3), 1996, pp. 295-297

Authors: HAGBERG GL
Citation: Gl. Hagberg, THE INTERPRETATION OF MUSIC - PHILOSOPHICAL ESSAYS - KRAUSZ,M, The Journal of aesthetics and art criticism, 54(2), 1996, pp. 201-204

Authors: HAGBERG GL
Citation: Gl. Hagberg, AESTHETIC LEGACIES - KRUKOWSKI,L, The Journal of aesthetic education, 30(1), 1996, pp. 115-118

Authors: HAGBERG GL
Citation: Gl. Hagberg, APOLLO REVENGE, MUSIC AND NIETZSCHE 'TWILIGHT OF THE IDOLS', Historical reflections, 21(3), 1995, pp. 437-449

Authors: HAGBERG GL
Citation: Gl. Hagberg, A HISTORY OF WESTERN MUSICAL AESTHETICS - LIPPMAN,E, Perspectives of new music, 33(1-2), 1995, pp. 614-624

Authors: HAGBERG GL
Citation: Gl. Hagberg, THE IMAGINARY MUSEUM OF MUSICAL WORKS - GOEHR,L, The Journal of aesthetic education, 28(4), 1994, pp. 99-102
Risultati: 1-8 |