Citation: Wl. Idema, THE SCRIPTURE OF THE 10 KINGS AND THE MAKING OF PURGATORY IN MEDIEVALCHINESE BUDDHISM - TEISER,ST, T'oung pao, 84(1-3), 1998, pp. 184-188
Citation: Wl. Idema, HISTORIAN OF THE STRANGE - PU,SONGLING AND THE CHINESE CLASSICAL TALE- ZEITLIN,JT, Journal of the American Oriental Society, 115(3), 1995, pp. 510-512
Citation: Wl. Idema, 11 CHINESE OPERA TEXTS OF MODERN TIMES, TOGETHER WITH 2 PLAYS OF THE WESTERN MANNER - GERMAN - FORKE,A, T'oung pao, 80(4-5), 1994, pp. 432-433
Citation: Wl. Idema, THE CLASSICAL THEATER AND ART SONG OF SOUTH FUKIEN, A STUDY OF 3 MINGANTHOLOGIES - VANDERLOON,P, T'oung pao, 79(1-3), 1993, pp. 195-196
Citation: Wl. Idema, ANALYTICAL AND CRITICAL SURVEY OF SHORT-STORIES IN THE CHINESE VERNACULAR - FRENCH - LEVY,A, CARTIER,M, T'oung pao, 78(1-3), 1992, pp. 207-209
Citation: Wl. Idema, THE FACE OF CHINA - AUTOBIOGRAPHICAL SELF-CHARACTERIZATION IN CHINESELITERATURE FROM EARLIEST TIMES TO THE PRESENT - GERMAN - BAUER,W, T'oung pao, 78(1-3), 1992, pp. 211-214