Citation: D. Jaenicke, DO IT LIKE MERCEDES (SPONSORING AND THE INTERNATIONAL-SUMMER-THEATER-FESTIVAL IN HAMBURG), Ballett international, Tanz aktuell, (3), 1998, pp. 19-19
Citation: D. Jaenicke, CONTEMPORARY DANCE IN CATALONIA + A PROFILE OF ROVIRA,MARIA AND MUNOS,MARIA, Ballett international, Tanz aktuell, (8-9), 1996, pp. 62
Citation: E. Boxberger et al., A FESTIVAL AS A BRIDGE BETWEEN CULTURES -SOMMERTHEATER-FESTIVAL IN HAMBURG( AN INTERVIEW WITH NAUMANN,GABRIELE AND JAENICKE,DIETER ON THEIRCONCEPT FOR THE INTERNATIONALES), Ballett international, Tanz aktuell, (8-9), 1996, pp. 74-75
Citation: J. Odenthal et D. Jaenicke, A NEW-GENERATION -96( AN INTERVIEW WITH JAENICKE,DIETER, HEAD OF PROGRAMMING FOR MOVIMIENTOS), Ballett international, Tanz aktuell, (2), 1996, pp. 1-3
Citation: D. Jaenicke, DIALOGUE BETWEEN CULTURES + MIGRATION AND INTERNATIONALISM ON THE CONTEMPORARY DANCE SCENE, Ballett international, Tanz aktuell, (8-9), 1995, pp. 16-18
Citation: K. Witzeling et D. Jaenicke, REALISM, OPENINGS, RADICALISM - A PERFORMING-ARTS WORKSHOP IN KAMPNAGEL( AN INTERVIEW WITH JAENICKE,DIETER ), Ballett international, Tanz aktuell, (7), 1994, pp. 22-23
Citation: D. Jaenicke, THE LAST MUTILATED DESIRES -DANCA-TEATRO-SALVADOR - A CROSS-CULTURAL DANCE-THEATER PROJECT IN SALVADOR, BRAZIL( PROJETO), Ballett international, Tanz aktuell, (7), 1994, pp. 24-25
Citation: D. Jaenicke et C. Lauer, INTERKAMA 92 - ANALYTICAL ONLINE INSTRUMENTS FOR GASES AND LIQUIDS, TM. Technisches Messen, 60(4), 1993, pp. 162-171