Citation: E. Karam, ALL ABOUT REALISM (DESIGNING NUNN,TREVOR PRODUCTION OF 'NOT ABOUT NIGHTINGALES', A PRISON DRAMA BY WILLIAMS,TENNESSEE), TCI, 32(7), 1998, pp. 8-9
Citation: E. Karam, SPANISH TATTERS (PIPER,TOM SET AND COSTUME DESIGNS FOR THE 'SPANISH TRAGEDY' AT THE ROYAL-SHAKESPEARE-COMPANY IN THE PIT IN LONDON WENT THROUGH AN EVOLUTION DUE TO LIMITED BUDGET), TCI, 32(2), 1998, pp. 15-16
Citation: E. Karam, ALL IS STILL TRUE -DESIGN FOR THE ROYAL-SHAKESPEARE-COMPANY PRODUCTION OF 'HENRY VIII'( COSTUMES AND LIGHTING), TCI, 31(4), 1997, pp. 12-13
Citation: E. Karam, HEAVY-METAL ALCHEMY -REP PRODUCTION OF THE 'ALCHEMIST'( COSTUME AND SET DESIGNER DUDLEY,BILL MIXED PERIODS FREELY FOR THE BIRMINGHAM), TCI, 31(3), 1997, pp. 17-18
Citation: E. Karam, 'FAIR LADIES AT A GAME OF POEM CARDS' -CENTURY JAPANESE PUPPET PLAY( FISHER,RICK LIGHTS OSWALD,PETER ADAPTATION OF AN 18TH), TCI, 31(3), 1997, pp. 18-19
Authors:
LIU XD
SUN Y
CONSTANTINESCU SN
KARAM E
WEINBERG RA
LODISH HF
Citation: Xd. Liu et al., TRANSFORMING-GROWTH-FACTOR BETA-INDUCED PHOSPHORYLATION OF SMAD3 IS REQUIRED FOR GROWTH-INHIBITION AND TRANSCRIPTIONAL INDUCTION IN EPITHELIAL-CELLS, Proceedings of the National Academy of Sciences of the United Statesof America, 94(20), 1997, pp. 10669-10674
Citation: E. Karam, BLEEDING HEARTS -REPERTORY-THEATER IN CAMBRIDGE, MASSACHUSETTS, ISRAEL,ROBERT AND SHERIN,MIMI,JORDAN CAME UP WITH AN UNSETTLING COMBINATIONOF COLORS AND SET ELEMENTS( FOR 'TARTUFFE' AT THE AMERICAN), TCI, 30(5), 1996, pp. 16-16
Citation: E. Karam, BRIGHT RIVALS -DESIGNER GOLDSTEIN,JESS PALETTE FOR THE HARTFORD-STAGE-COMPANY THE 'RIVALS'( VACATION COLORS DOMINATE COSTUME), TCI, 30(4), 1996, pp. 6-6
Citation: E. Karam, LAPSE OF FASHION -DESIGN FOR THE ROYAL-SHAKESPEARE-COMPANY PRODUCTIONOF THE 'RELAPSE'( LACE WAS A BIG PART OF THE LOOK OF GOODCHILD,TIM COSTUME), TCI, 30(4), 1996, pp. 13-13
Citation: E. Karam, SIMPLY CHERRY -DESIGNER DOWDESWELL,WAYNE USED JUST 2-LAMPS ONSTAGE AND VERY LITTLE BACKLIGHT FOR THE 'CHERRY ORCHARD'( LIGHTING), TCI, 30(4), 1996, pp. 13-13
Citation: E. Karam, A 'PATRIOT FOR ME' -SHAKESPEARE-COMPANY PRODUCTION OF OSBORNE,JOHN PLAY, SET DESIGNS BY PIPER,TOM, COSTUMES BY HOWARD,PAM AND LIGHTING BY PHILLIPS,ANDY( THE ROYAL), TCI, 30(2), 1996, pp. 9-9
Citation: E. Karam, THE 'MASTER BUILDER' + OBRIEN,TIM COSTUMES AND SETS FOR HALL,PETER PRODUCTION DRAW ON DARK COLORS ASSOCIATED WITH IBSENITE GLOOM, TCI, 30(2), 1996, pp. 16-16
Citation: E. Karam, 'MAGNIFICENT YANKEE' -EXPOSITION OF 1876 FOR THE WILLIAMSONTOWN-THEATER-FESTIVALS PRODUCTION( SET DESIGNER LANDWEHR,HUGH TURNED TO THE ARCHITECTURAL REVIVAL INSPIRED BY THE GREAT), TCI, 29(9), 1995, pp. 10-10
Citation: E. Karam, TALES FROM VIENNA -SET AND NEUTRAL PALETTE FOR COSTUMES CONJURE A SINISTER VIENNA IN THE ROYAL-SHAKESPEARES 'MEASURE FOR MEASURE'( A VERSATILE UNIT), TCI, 29(6), 1995, pp. 12-12
Citation: E. Karam, CAROLINE COUTURE -DESIGNER FOR THE ROYAL-SHAKESPEARE-COMPANY PRODUCTION OF THE 'BROKEN HEART'( PIPER,TOM COSTUME), TCI, 29(3), 1995, pp. 10
Citation: E. Karam, GRAND HOTEL -PREMIERE PRODUCTION OF 'SPLENDIDS'( ARROYO,EDUARDO DESIGNED THE SET OF GRUBER,KLAUS WORLD), TCI, 29(3), 1995, pp. 12-12
Citation: E. Karam, BITTERSWEET BIRD -NOIR LOOK TO EYRE,RICHARD STAGING OF 'SWEET BIRD OFYOUTH'( DESIGNER WARD,ANTHONY BROUGHT A FILM), TCI, 28(8), 1994, pp. 11-11
Citation: E. Karam, WINTRY NIGHT -SHAKESPEARE-COMPANY NEW PRODUCTION OF 'TWELFTH NIGHT' SET THE PLAY IN ELIZABETHAN ENGLAND( THE CREATIVE TEAM FOR ROYAL), TCI, 28(8), 1994, pp. 11-11
Citation: E. Karam, VIENNA NIGHTS + BLANE,SUE AND DAVISON,PETER,J. COSTUMES AND SET DESIGNS FOR MILLER,JONATHAN PRODUCTION OF DER 'ROSENKAVALIER', TCI, 28(5), 1994, pp. 13-13