Citation: H. Koegler, THE DANCING POLTERGEIST - MEMORIES OF GOSLAR,LOTTE ON THE OCCASION OFHER CENTENARY, Ballett international, Tanz aktuell, (3), 1997, pp. 22-22
Citation: H. Koegler, IMMORTAL THEATRICAL DANCE - 300 YEARS OF BALLET HISTORY AT THE MUNICH-OPERA-HOUSE, VOL 2, FROM 1860 TO 1967 - GERMAN - MLAKAR,P, Ballett international, Tanz aktuell, (2), 1997, pp. 12-12
Citation: H. Koegler, WHAT STRENGTH, WHAT COMMITMENT, WHAT MODESTY (ON THE DEATH OF DEEGE,GISELA), Ballett international, Tanz aktuell, (12), 1997, pp. 13-13
Citation: H. Koegler, THE END OF CRITICAL CORRECTNESS - 'RIEFENSTAHL', KRESNIK MOST HUMANE PRODUCTION, Ballett international, Tanz aktuell, (1), 1997, pp. 14-14
Citation: H. Koegler, THE QUEENS THROAT - OPERA, HOMOSEXUALITY, AND DESIRE - GERMAN - KOESTENBAUM,W, Neue Zeitschrift fur Musik, 158(1), 1997, pp. 74-74