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Results: 3
THE PICTURE-CYCLES OF THE RYLANDS 'HAGGADAH' AND THE SO-CALLED 'BROTHER HAGGADAH' AND THEIR RELATION TO THE WESTERN TRADITION OF OLD-TESTAMENT ILLUSTRATION (ICONOGRAPHIC ROOTS OF 2 BIBLICAL MANUSCRIPT TRADITIONS)
Authors: KOGMANAPPEL K
Citation: K. Kogmanappel, THE PICTURE-CYCLES OF THE RYLANDS 'HAGGADAH' AND THE SO-CALLED 'BROTHER HAGGADAH' AND THEIR RELATION TO THE WESTERN TRADITION OF OLD-TESTAMENT ILLUSTRATION (ICONOGRAPHIC ROOTS OF 2 BIBLICAL MANUSCRIPT TRADITIONS), Bulletin of the John Rylands University Library of Manchester, 79(2), 1997, pp. 3-19
THE SEPHARDIC PICTURE CYCLES AND THE RABBINIC TRADITION - CONTINUITY AND INNOVATION IN JEWISH ICONOGRAPHY (MEDIEVAL HAGGADAHS, ILLUMINATED MANUSCRIPTS)
Authors: KOGMANAPPEL K
Citation: K. Kogmanappel, THE SEPHARDIC PICTURE CYCLES AND THE RABBINIC TRADITION - CONTINUITY AND INNOVATION IN JEWISH ICONOGRAPHY (MEDIEVAL HAGGADAHS, ILLUMINATED MANUSCRIPTS), Zeitschrift fur Kunstgeschichte, 60(4), 1997, pp. 451-481
THE EXODUS CYCLE FROM THE SARAJEVO HAGGAD AH - OBSERVATIONS ON THE WORK TECHNIQUES OF LATE-MEDIEVAL JEWISH ILLUMINATORS AND THEIR USE OF MODELS
Authors: KOGMANAPPEL K
Citation: K. Kogmanappel, THE EXODUS CYCLE FROM THE SARAJEVO HAGGAD AH - OBSERVATIONS ON THE WORK TECHNIQUES OF LATE-MEDIEVAL JEWISH ILLUMINATORS AND THEIR USE OF MODELS, Gesta, 35(2), 1996, pp. 111-127
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