Citation: D. Krasner, DIGGING THE AFRICANIST PRESENCE IN AMERICAN PERFORMANCE - DANCE AND OTHER CONTEXTS - DIXON,B, Theatre research international, 22(3), 1997, pp. 276-277
Citation: D. Krasner, THE MIRROR UP TO NATURE, MODERNIST AESTHETICS AND RACIAL AUTHENTICITYIN AFRICAN-AMERICAN THEATER, 1895-1900, Theatre history studies, 16, 1996, pp. 117-140
Citation: D. Krasner, PARODY AND DOUBLE CONSCIOUSNESS IN THE LANGUAGE OF EARLY BLACK MUSICAL-THEATER, African American review, 29(2), 1995, pp. 317-323
Authors:
STOTTS N
LAVENDER N
SALCIDO R
ALLMAN R
BEYDA V
BOLTON L
GOKOO C
LAVENDER CGM
MEEHAN M
MULLER N
NOWICKY J
REGER S
SCHROEDER W
WELSH R
WITKOWSKI J
CLANIN N
CUDDIGAN J
FEATHER J
FOWLER E
FRANTZ R
GOODE P
GOSNELL D
KRASNER D
MAKLEBUST JA
MARGOLIS D
RODEHEAVER G
SALZBERG CA
SHANNON ML
SUSSMAN C
Citation: N. Stotts et al., PRESSURE ULCER RESEARCH - ETIOLOGY, ASSESSMENT AND EARLY INTERVENTION, Wounds, 7(6), 1995, pp. 236
Citation: D. Krasner, AFRICAN-AMERICAN THEATER - AN HISTORICAL AND CRITICAL ANALYSIS - HAY,SA, Theatre research international, 20(2), 1995, pp. 170-171
Citation: D. Krasner et M. Heller, THE MIRACLE OF COUNTERFACTUALS, COUNTEREXAMPLES TO LEWIS WORLD ORDERING, Philosophical studies, 76(1), 1994, pp. 27-43