Authors:
Siegmund, G
Regitz, H
Strommen, M
Fischer, EE
Merz, R
Dixon, M
Vaccarino, E
Cramer, FA
Greskovic, R
Witzeling, K
Amort, A
Spangberg, M
Parish, P
Ploebst, H
Schneider, K
Crabb, M
Huster, W
Schmidt, J
Mainiece, V
Vollmer, H
Sirvin, R
Leask, J
Rasanen, A
Hahn, T
Draeger, V
Wesemann, A
Citation: G. Siegmund et al., The Ballet-Tanz VIP Lounge 2001 (Critics select 28 personalities-of-the-year from among dancers, choreographers, producers and people who moved something in dance), BALLETT INT, 2001, pp. 98-109
Citation: J. Leask, Creative funding: A look at how the Arts Council of England's Dance Artists' Fellowship scheme is benefiting some of the UK's most important dance artists, DANCE THEAT, 17(1), 2001, pp. 12-15
Citation: J. Leask, City, space and navigation (Choreographer Carol Brown explores London's surface and bowls in her latest piece 'Nerve'), BALLETT INT, (7), 2000, pp. 32-33
Citation: J. Leask, Australia in Glasgow (Highlights of the annual New-Moves dance festival focusing on Australian dance), BALLETT INT, (5), 2000, pp. 10-11
Citation: J. Leask, London: Music meets dance (The International-Course-for-Choreographers-and-Composers held annually provides a concentrated experience in a practical creative environment for emerging professional choreographers and composers), BALLETT INT, (5), 1999, pp. 21-21
Citation: J. Leask, Welcome to the club (The birthplace of the avant-garde, dance is being nurtured by spacewalkers, strippers, rappers and Go-Go dancers, a look at London's club scene), BALLETT INT, (2), 1999, pp. 40-45
Citation: J. Leask, Love and war ('God's Plenty', Christopher Bruce's epic new work for Rambert-Dance-Company based on The 'Canterbury Tales'), DANCE THEAT, 15(3), 1999, pp. 12-15
Citation: J. Leask, Resolution!-Season review 99 (An edited selection of reviews of dance companies participating in the Resolution!-Season in January and February from the on-line review magazine), DANCE THEAT, 15(1), 1999, pp. 4-7