Citation: Mary Angela Schroth, A look back in time: Incroci del Sud. Contemporary art from South Africa, Africa e Mediterraneo , 15(55), 2006, pp. 50-51
Citation: Mary Angela Schroth, Who owns cultural artifacts? An important on-going debate in post-colonial artistic heritage, Africa e Mediterraneo , 28(89), 2018, pp. 64-67
Citation: Mary Angela Schroth, La 58a Biennale di Venezia 2019: May you live in interesting times. Anche quest'anno l'Africa segna la sua presenza, Africa e Mediterraneo , 29(91), 2019, pp. 74-75
Citation: Mary Angela Schroth, Africa identities in the 2009 Venice Biennal, "Fare mondi/making worlds"e dell'Ouaddai (Ciad), Africa e Mediterraneo , 18(67), 2009, pp. 75-77
Citation: Mary Angela Schroth, Doppia identità nelle foto di "Afro Iran" di Mahdi Ehsaei a WSP Photography a Roma, Africa e Mediterraneo , 25(85), 2016, pp. 75-75
Citation: Mary Angela Schroth, "Triumphs and laments": a project for the city of Rome by William Kentridge, Africa e Mediterraneo , 25(84), 2016, pp. 77-80
Citation: Mary Angela Schroth, Earth Matters. A major exhibition at the Smithsonian's national museum of african art in Washington, Africa e Mediterraneo , 21(79), 2013, pp. 78-81
Citation: Mary Angela Schroth, A major exhibition in the Smithsonian's National museum of african art: "African cosmos: stellar arts", Africa e Mediterraneo , 21(77), 2012, pp. 79-81
Citation: Mary Angela Schroth, Major themes of Africa and immigration in the exhibitions Palermo's Manifesta 12 and Maxxi in Rome, Africa e Mediterraneo , 27(88), 2017, pp. 84-89
Citation: Mary Angela Schroth, Cultural tourism: the story of Sala 1 viaggi. Linking contemporary art and travel in the South of the world, Africa e Mediterraneo , 17(65-66), 2008, pp. 89-91
Citation: Mary Angela Schroth, Art, displacement, and social context in the 57th Venice Biennale 2017, Africa e Mediterraneo , 26(86), 2017, pp. 98-103