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Results: 1-11 |
Results: 11

Authors: Brown, JC Houix, O McAdams, S
Citation: Jc. Brown et al., Feature dependence in the automatic identification of musical woodwind instruments, J ACOUST SO, 109(3), 2001, pp. 1064-1072

Authors: Susini, P McAdams, S
Citation: P. Susini et S. Mcadams, Psychophysical validation of a proprioceptive device by cross-modal matching of loudness, ACUSTICA, 86(3), 2000, pp. 515-525

Authors: Pressnitzer, D McAdams, S Winsberg, S Fineberg, J
Citation: D. Pressnitzer et al., Perception of musical tension for nontonal orchestral timbres and its relation to psychoacoustic roughness, PERC PSYCH, 62(1), 2000, pp. 66-80

Authors: Bigand, E McAdams, S Foret, S
Citation: E. Bigand et al., Divided attention in music, INT J PSYCO, 35(6), 2000, pp. 270-278

Authors: McAdams, S
Citation: S. Mcadams, Basic and applied psychoacoustics in France, ACUSTICA, 85(5), 1999, pp. 636-638

Authors: Susini, P McAdams, S Winsberg, S
Citation: P. Susini et al., A multidimensional technique for sound quality assessment, ACUSTICA, 85(5), 1999, pp. 650-656

Authors: McAdams, S
Citation: S. Mcadams, Perspectives on the contribution of timbre to musical structure, COMPUT MUS, 23(3), 1999, pp. 85-102

Authors: Brochard, R Drake, C Botte, MC McAdams, S
Citation: R. Brochard et al., Perceptual organization of complex auditory sequences: Effect of number ofsimultaneous subsequences and frequency separation, J EXP PSY P, 25(6), 1999, pp. 1742-1759

Authors: Drake, C McAdams, S
Citation: C. Drake et S. Mcadams, The auditory continuity phenomenon: Role of temporal sequence structure, J ACOUST SO, 106(6), 1999, pp. 3529-3538

Authors: Pressnitzer, D McAdams, S
Citation: D. Pressnitzer et S. Mcadams, Two phase effects in roughness perception, J ACOUST SO, 105(5), 1999, pp. 2773-2782

Authors: McAdams, S Beauchamp, JW Meneguzzi, S
Citation: S. Mcadams et al., Discrimination of musical instrument sounds resynthesized with simplified spectrotemporal parameters, J ACOUST SO, 105(2), 1999, pp. 882-897
Risultati: 1-11 |