Citation: Jc. Nash, RENAISSANCE MISOGYNY, BIBLICAL FEMINISM, AND CRENNE,HELISENNE,DE 'EPISTRES FAMILIERES ET INVECTIVES' -MODERN FEMINIST WORKS IN AN IDEOLOGICAL, LITERARY, AND CULTURAL-CONTEXT( READING EARLY), Renaissance quarterly, 50(2), 1997, pp. 379-410
Citation: Jc. Nash, THE APOTHEOSIS OF ORPHEUS - THE AESTHETICS OF THE ODE IN 16TH-CENTURYFRANCE FROM SEBILLET TO SCALIGER (1548-1561) - FRENCH - ROUGET,F, Renaissance quarterly, 50(2), 1997, pp. 621-622
Citation: Jc. Nash, THE EARLIEST CRITICAL RECEPTION OF THE 'ESSAIS' OF MONTAIGNE (1580-1640) - FRENCH - MILLET,O, Bibliotheque d'Humanisme et Renaissance, 59(2), 1997, pp. 481-482
Citation: Jc. Nash, MONTAIGNE AND THE GODS - THE MYTHOLOGICAL KEY TO THE 'ESSAYS' - MARTIN,D, EDITOR, The Sixteenth century journal, 26(3), 1995, pp. 712-713
Citation: Jc. Nash, COMPUTER ALGEBRA SYSTEMS - DERIVE(R) - DERIVE VERSION-2.55, EXTENDED-MEMORY VERSION-2.55XM, AND VERSION-2.60, The American statistician, 49(1), 1995, pp. 93-99
Citation: Jc. Nash, 'HEPTAMERON 71' AND ITS INTERTEXTUALITY -DE-NAVARRE - THE FABLIAU ARTOF NARRATIVE DISTANCE( MARGUERITE), French forum, 19(1), 1994, pp. 5-16
Citation: Jc. Nash, UPWELLINGS - 1ST EXPRESSIONS OF UNBELIEF IN THE PRINTED LITERATURE OFTHE FRENCH RENAISSANCE - GAUNA,M, Renaissance quarterly, 47(2), 1994, pp. 422-424
Citation: Jc. Nash, THE LADDER OF HIGH DESIGN - STRUCTURE AND INTERPRETATION OF THE FRENCH LYRIC SEQUENCE - FENOALTEA,D, RUBIN,DL, French forum, 18(1), 1993, pp. 80-81
Citation: Jc. Nash, MONTAIGNE AND MELANCHOLY - THE WISDOM OF THE 'ESSAYS' - SCREECH,MA, Bibliotheque d'Humanisme et Renaissance, 55(2), 1993, pp. 455-456
Citation: Jc. Nash, RONSARD - HISTORICAL AND LITERARY-STUDY .5. UN BRASIER-SOUS-LA-CENDRE- FRENCH - DASSONVILLE,M, French forum, 17(3), 1992, pp. 332-333