Citation: J. Erickson et al., HUMBOLDT,WILHELM,VON, SAPIR,EDWARD, AND THE CONSTRUCTIVIST FRAMEWORK, Historiographia linguistica, 24(3), 1997, pp. 285-306
Citation: A. Nunning, BUT-WHY-WILL-YOU-SAY-THAT-I-AM-MAD - ON THE THEORY, HISTORY, AND SIGNALS OF UNRELIABLE NARRATION IN BRITISH FICTION, AAA. Arbeiten aus Anglistik und Amerikanistik, 22(1), 1997, pp. 83-105
Citation: A. Nunning, JOURNAL FOR THE STUDY OF BRITISH CULTURES - KRAMER,J, LENZ,B, STRATMANN,G, Archiv fur das Studium der neueren Sprachen und Literaturen, 234(1), 1997, pp. 229-229
Citation: A. Nunning, CONRAD,JOSEPH AND THE ADVENTURE TRADITION - CONSTRUCTING AND DECONSTRUCTING THE IMPERIAL SUBJECT - WHITE,A, Zeitschrift fur Anglistik und Amerikanistik, 43(3), 1995, pp. 276-278
Citation: A. Nunning, THE SO-CALLED SUBJECTIVE-NOVEL - THE RELA TION OF FICTIONAL SUBJECTIVITY AND CONCEPTS OF REALITY IN ENGLISH FROM THE 18TH-CENTURY TO MODERNISM - GERMAN - GESSNERUTSCH,B, Zeitschrift fur Anglistik und Amerikanistik, 43(2), 1995, pp. 187-189
Citation: A. Nunning, FROM HARDY,THOMAS TO HUGHES,TED - STUDIES ON MODERN ENGLISH AND ANGLO-IRISH LITERATURE - GERMAN - ERZGRABER,W, Germanisch-romanische Monatsschrift, 45(4), 1995, pp. 479-482
Citation: A. Nunning, BE-MY-CONFESSORS - FORMS AND FUNCTIONS OF EPIC COMMUNICATION STRUCTURES IN SHAFFER,PETER 'AMADEUS', Forum modernes Theater, 9(2), 1994, pp. 141-160
Citation: A. Nunning, DIE-KOPIE-IST-DAS-ORIGINAL-DER-WIRKLICHKE IT - STRUCTURE, INTERTEXTUALITY AND METAFICTION AS A MEANS OF SELF-ANALYSIS FOR THE POET IN ACKROYD,PETER 'CHATTERTON', Orbis litterarum, 49(1), 1994, pp. 27-51
Citation: A. Nunning, FICTIONS OF AUTHORITY - WOMEN-WRITERS AND NARRATIVE VOICE - LANSER,SS, Zeitschrift fur Anglistik und Amerikanistik, 42(4), 1994, pp. 393-395
Citation: A. Nunning, MECHANISM AND THE NOVEL - SCIENCE IN THE NARRATIVE PROCESS - TURNER,MA, Zeitschrift fur Anglistik und Amerikanistik, 42(4), 1994, pp. 395-397
Citation: A. Nunning, GENDER AND NARRATOLOGY, CATEGORIES AND PE RSPECTIVES OF FEMINIST NARRATOLOGY, Zeitschrift fur Anglistik und Amerikanistik, 42(2), 1994, pp. 102-121
Citation: A. Nunning, MAKE MINIATURES OF THE ONCE-MONSTROUS THE ME, FORMS AND FUNCTIONS OF THE ANALYSIS OF THE DECLINE OF THE BRITISH-EMPIRE IN FARRELL,J.G. NOVELS, AAA. Arbeiten aus Anglistik und Amerikanistik, 18(2), 1993, pp. 159-179
Citation: A. Nunning, MAPPING THE FIELD OF HYBRID NEW GENRES IN THE CONTEMPORARY NOVEL, A CRITIQUE OF SAUERBERG,LARS,OLE 'FACT INTO FICTION' AND A SURVEY OF OTHER RECENT APPROACHES TO THE RELATIONSHIP BETWEEN FACT AND FICTION, Orbis litterarum, 48(5), 1993, pp. 281-305
Citation: A. Nunning, TELLING STORIES - STUDIES IN HONOR OF BRO ICH,ULRICH ON THE OCCASION OF HIS 60TH BIRTHDAY - LEHMANN,E, LENZ,B, Zeitschrift fur Anglistik und Amerikanistik, 41(4), 1993, pp. 373-375
Citation: A. Nunning, FACT INTO FICTION - DOCUMENTARY REALISM I N THE CONTEMPORARY NOVEL - SAUERBERG,LO, Zeitschrift fur Anglistik und Amerikanistik, 41(3), 1993, pp. 278-280
Citation: A. Nunning, RENAISSANCE OF ANTHROPOMORPHIZED PASSE-PARTOUT OR AN OBITUARY TO LITERARY-CRITICAL PHENOMENON, REFLECTIONS ON AND ALTERNATIVES TO THE CONCEPT OF IMPLIED-AUTHOR, Deutsche Vierteljahrsschrift fur Literaturwissenschaft und Geistesgeschichte, 67(1), 1993, pp. 1-25