Citation: J. Odenthal, THE CONTEMPORARY DANCE SCENE IN LATIN-AMERICA + A PROFILE OF REGIONALDANCE COMPANIES AND THEIR NEW CHOREOGRAPHIC WORKS, Ballett international, Tanz aktuell, (2), 1996, pp. 16
Citation: J. Odenthal et K. Ohno, THE HUMAN-BEING IS NOT THE CENTER OF THE UNIVERSE - ON THE 90TH-BIRTHDAY OF OHNO,KAZUO( AN INTERVIEW ), Ballett international, Tanz aktuell, (11), 1996, pp. 26-27
Citation: J. Odenthal, THE BERLIN DANCE DEBATE + THE SENATES PROPOSALS FOR RESTRUCTURING AT THE OPERA HOUSES, Ballett international, Tanz aktuell, (10), 1996, pp. 6-6
Citation: J. Odenthal et M. Schindhhelm, FINANCIAL NECESSITY AS THE MOTHER OF ARTISTIC INVENTION + AN INTERVIEW WITH SCHINDHELM,MICHAEL, Ballett international, Tanz aktuell, (10), 1996, pp. 14-15
Citation: J. Odenthal, CONTEMPORARY DANCE NEEDS, AND WILL FIND, AN HISTORICAL-PERSPECTIVE -FESTIVAL AND THE BERLIN-FESTIVAL, SEMINAL WORKS FROM THE HISTORY OF DANCE WERE AMONG THE HIGHLIGHTS( AT THE MONTPELLIER), Ballett international, Tanz aktuell, (10), 1996, pp. 32-35
Citation: J. Odenthal et M. Steinhoff, THE CIVIC-THEATERS FUTURE -FRANKFURT( AN INTERVIEW WITH STEINHOFF,MARTIN ON THE STATUS OF BALLET), Ballett international, Tanz aktuell, (1), 1996, pp. 16-20
Citation: J. Odenthal, BERLIN THE FAIRY-TALE CITY + 'HANSEL UND GRETEL' BY KRESNIK AND DIE 'SCHNEEKONIGIN' BY BARRA,RAY, Ballett international, Tanz aktuell, (1), 1996, pp. 35-35
Citation: J. Odenthal et R. Horta, MOVEMENT, ENERGY, PERCEPTION, AN INTERVIEW WITH HORTA,RUI, Ballett international, Tanz aktuell, (1), 1996, pp. 42-45
Citation: J. Odenthal, EDITORIAL -UP NEW APPROACHES TO THE POLITICAL( THE CONTEMPORARY GERMAN DANCE SCENE OPENS), Ballett international, Tanz aktuell, (8-9), 1995, pp. 1-1
Citation: J. Odenthal et K. Koko, THE CONDITION OF INFINITE POTENTIAL + AN INTERVIEW WITH KOKO,KOFFI, Ballett international, Tanz aktuell, (8-9), 1995, pp. 34-37
Citation: J. Odenthal, CRITICS SURVEY + 9 GERMAN DANCE CRITICS ON THE MOST SIGNIFICANT DEVELOPMENTS FOR THE FUTURE OF DANCE, Ballett international, Tanz aktuell, (8-9), 1995, pp. 100-103
Citation: J. Odenthal, OBSERVATIONS ON THE 1994 95 SEASON, BALLET AND DANCE IN TRANSITION/, Ballett international, Tanz aktuell, (8-9), 1995, pp. 104-104
Citation: J. Odenthal et I. Ivo, IS THE NAKED BODY STILL TABU + AN INTERVIEW WITH IVO,ISMAEL ON HIS NEW PRODUCTION OF 'OTHELLO', Ballett international, Tanz aktuell, (7), 1995, pp. 36-41
Citation: J. Odenthal, THE NEW THEATER - A SCHOOL OF PERCEPTION - INTRODUCTION( AN INTERVIEWWITH TURRELL,JAMES ), Ballett international, Tanz aktuell, (5), 1995, pp. 38-39
Citation: J. Odenthal et J. Turrell, THE NEW THEATER - A SCHOOL OF PERCEPTION( AN INTERVIEW WITH TURRELL,JAMES ), Ballett international, Tanz aktuell, (5), 1995, pp. 40
Citation: J. Odenthal et al., DECONSTRUCTED BODIES - THE MUNICH DANCE BIENNALE DANCE-95 CONFRONTS CONTEMPORARY DANCE WITH TOPICS SUCH AS GENETIC-ENGINEERING AND ORGAN-TRANSPLANTS( AN INTERVIEW WITH VOLKERS,HORTENSIA AND BERGELT,MARTIN ), Ballett international, Tanz aktuell, (5), 1995, pp. 45-47
Citation: J. Odenthal, EDITORIAL + THE UTOPIAN POWER OF DANCE, CREATING INNOVATION OUT OF TRADITION, AND MOVEMENT AS A FACTOR IN PEDAGOGIC AND THERAPEUTIC DANCE, Ballett international, Tanz aktuell, (4), 1995, pp. 3-3
Citation: J. Odenthal, SPLIT SPACE -ARTS ALTHOUGH DRAMATIC STRUCTURES HAVE CHANGED - INNER CONFLICTS OF THE INDIVIDUAL AS A LOCATION FOR THE NEW DRAMA( MODERNISMSCONTINUING INFLUENCE ON PERFORMING), Ballett international, Tanz aktuell, (3), 1995, pp. 36-43
Citation: J. Odenthal, DANCERS MUST EMANCIPATE THEMSELVES - A CRITICAL-LOOK AT THE WAY THINGS ARE GOING FOR DANCE IN GERMANY, Ballett international, Tanz aktuell, (12), 1995, pp. 4-4