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Results:
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Results: 10
Authors:
SLOBODA JA
CLARKE EF
PARNCUTT R
RAEKALLIO M
Citation: Ja. Sloboda et al., DETERMINANTS OF FINGER CHOICE IN PIANO SIGHT-READING, Journal of experimental psychology. Human perception and performance, 24(1), 1998, pp. 185-203
Authors:
PARNCUTT R
SLOBODA JA
CLARKE EF
RAEKALLIO M
DESAIN P
Citation: R. Parncutt et al., AN ERGONOMIC MODEL OF KEYBOARD FINGERING FOR MELODIC FRAGMENTS, Music perception, 14(4), 1997, pp. 341-382
Authors:
THOMPSON WF
PARNCUTT R
Citation: Wf. Thompson et R. Parncutt, PERCEPTUAL JUDGMENTS OF TRIADS AND DYADS - ASSESSMENT OF A PSYCHOACOUSTIC MODEL, Music perception, 14(3), 1997, pp. 263-280
Authors:
PARNCUTT R
Citation: R. Parncutt, THE FORMATION OF A TONAL SOUND SYNTAX - G ERMAN - EBERLEIN,R, Musiktheorie, 11(1), 1996, pp. 67-79
Authors:
BIGAND E
PARNCUTT R
LERDAHL F
Citation: E. Bigand et al., PERCEPTION OF MUSICAL TENSION IN SHORT CHORD SEQUENCES - THE INFLUENCE OF HARMONIC FUNCTION, SENSORY DISSONANCE, HORIZONTAL MOTION, AND MUSICAL TRAINING, Perception & psychophysics, 58(1), 1996, pp. 125-141
Authors:
PARNCUTT R
Citation: R. Parncutt, THE MUSICIANS GUIDE TO PERCEPTION AND COGNITION - BUTLER,D, Music perception, 13(2), 1995, pp. 253-260
Authors:
PARNCUTT R
COHEN AJ
Citation: R. Parncutt et Aj. Cohen, IDENTIFICATION OF MICROTONAL MELODIES - EFFECTS OF SCALE-STEP SIZE, SERIAL ORDER, AND TRAINING, Perception & psychophysics, 57(6), 1995, pp. 835-846
Authors:
PARNCUTT R
Citation: R. Parncutt, TEMPLATE-MATCHING MODELS OF MUSICAL PITCH AND RHYTHM PERCEPTION, Journal of new music research, 23(2), 1994, pp. 145-167
Authors:
PARNCUTT R
Citation: R. Parncutt, A PERCEPTUAL MODEL OF PULSE SALIENCE AND METRICAL ACCENT IN MUSICAL RHYTHMS, Music perception, 11(4), 1994, pp. 409-464
Authors:
PARNCUTT R
STRASBURGER H
Citation: R. Parncutt et H. Strasburger, APPLYING PSYCHOACOUSTICS IN COMPOSITION - HARMONIC PROGRESSIONS OF NONHARMONIC SONORITIES, Perspectives of new music, 32(2), 1994, pp. 88-129
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1-10
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