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Results: 1-25 | 26-28 |
Results: 26-28/28
BOUNDARIES OF SEPARABILITY BETWEEN MELODY AND RHYTHM IN MUSIC DISCRIMINATION - A NEUROPSYCHOLOGICAL PERSPECTIVE
Authors: PERETZ I KOLINSKY R
Citation: I. Peretz et R. Kolinsky, BOUNDARIES OF SEPARABILITY BETWEEN MELODY AND RHYTHM IN MUSIC DISCRIMINATION - A NEUROPSYCHOLOGICAL PERSPECTIVE, The Quarterly journal of experimental psychology. A, Human experimental psychology, 46(2), 1993, pp. 301-325
IMPLICIT AND EXPLICIT MEASURES OF PROTOTYPE ABSTRACTION IN AMNESIC SUBJECTS
Authors: LADOUCEUR G PERETZ I CSANK J GROULX B
Citation: G. Ladouceur et al., IMPLICIT AND EXPLICIT MEASURES OF PROTOTYPE ABSTRACTION IN AMNESIC SUBJECTS, Brain and language, 44(4), 1993, pp. 460-461
THE ROLE OF CONTOUR AND INTERVALS IN THE RECOGNITION OF MELODY PARTS - EVIDENCE FROM CEREBRAL ASYMMETRIES IN MUSICIANS
Authors: PERETZ I BABAI M
Citation: I. Peretz et M. Babai, THE ROLE OF CONTOUR AND INTERVALS IN THE RECOGNITION OF MELODY PARTS - EVIDENCE FROM CEREBRAL ASYMMETRIES IN MUSICIANS, Neuropsychologia, 30(3), 1992, pp. 277-292
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