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Results: 1-10 |
Results: 10

Authors: POLANSKY L
Citation: L. Polansky, 'COCKS CROW, DOGS BARK, NEW COMPOSITIONAL INTENTIONS' (AN INTRODUCTION TO THE CD, COMPOSITION CREDITS AND PAGES FROM SELECTED SCORES), Leonardo music journal, 7, 1997, pp. 57

Authors: POLANSKY L
Citation: L. Polansky, MORPHOLOGICAL METRICS, Journal of new music research, 25(4), 1996, pp. 289-368

Authors: POLANSKY L
Citation: L. Polansky, THE MUSIC OF SEEGER,RUTH,CRAWFORD - STRAUS,JN, American music, 14(3), 1996, pp. 389-392

Authors: POLANSKY L ERBE T
Citation: L. Polansky et T. Erbe, SPECTRAL MUTATION IN SOUNDHACK, Computer music journal, 20(1), 1996, pp. 92-101

Authors: POLANSKY L
Citation: L. Polansky, 'BEDHAYA GUTHRIE BEDHAYA SADRA' FOR VOICES, KEMANAK, MELODY INSTRUMENTS, AND ACCOMPANIMENTAL JAVANESE GAMELAN -GENERATED TRANSFORMATIONS OF2 MELODIES BY GUTHRIE,WOODY AND SADRA,I.WAYAN( A SET OF COMPUTER), Perspectives of new music, 34(1), 1996, pp. 28-55

Authors: POLANSKY L KENNEDY J
Citation: L. Polansky et J. Kennedy, TOTAL ECLIPSE - THE MUSIC OF BEYER,JOHANNA,MAGDALENA - AN INTRODUCTION AND PRELIMINARY ANNOTATED CHECKLIST, The Musical quarterly, 80(4), 1996, pp. 719-778

Authors: POLANSKY L
Citation: L. Polansky, 'NO REPLACEMENT', 85-VERSES FOR GABURO,KENNETH, Perspectives of new music, 33(1-2), 1995, pp. 78-97

Authors: POLANSKY L
Citation: L. Polansky, LIVE INTERACTIVE COMPUTER MUSIC IN HMSL, 1984-1992, Computer music journal, 18(2), 1994, pp. 59-77

Authors: POLANSKY L
Citation: L. Polansky, MCPHEE,COLIN - COMPOSER IN 2 WORLDS - OJA,C, Ethnomusicology, 37(3), 1993, pp. 437-441

Authors: POLANSKY L BASSEIN R
Citation: L. Polansky et R. Bassein, POSSIBLE AND IMPOSSIBLE MELODY - SOME FORMAL ASPECTS OF CONTOUR, Journal of music theory, 36(2), 1992, pp. 259-284
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