Citation: L. Polansky, 'COCKS CROW, DOGS BARK, NEW COMPOSITIONAL INTENTIONS' (AN INTRODUCTION TO THE CD, COMPOSITION CREDITS AND PAGES FROM SELECTED SCORES), Leonardo music journal, 7, 1997, pp. 57
Citation: L. Polansky, 'BEDHAYA GUTHRIE BEDHAYA SADRA' FOR VOICES, KEMANAK, MELODY INSTRUMENTS, AND ACCOMPANIMENTAL JAVANESE GAMELAN -GENERATED TRANSFORMATIONS OF2 MELODIES BY GUTHRIE,WOODY AND SADRA,I.WAYAN( A SET OF COMPUTER), Perspectives of new music, 34(1), 1996, pp. 28-55
Citation: L. Polansky et J. Kennedy, TOTAL ECLIPSE - THE MUSIC OF BEYER,JOHANNA,MAGDALENA - AN INTRODUCTION AND PRELIMINARY ANNOTATED CHECKLIST, The Musical quarterly, 80(4), 1996, pp. 719-778
Citation: L. Polansky et R. Bassein, POSSIBLE AND IMPOSSIBLE MELODY - SOME FORMAL ASPECTS OF CONTOUR, Journal of music theory, 36(2), 1992, pp. 259-284