Citation: H. Regitz, THAT CERTAIN SOMETHING - THE ACADEMIE-DE-DANSE-CLASSIQUE-PRINCESSE-GRACE, BESOBRASOVA,MARIA AND HER BALLET SCHOOL IN MONTE-CARLO, Ballett international, Tanz aktuell, (7), 1998, pp. 58-59
Citation: H. Regitz, THE GREAT BLAST-BOOM-BANG - 10 YEARS ON (MOTTE WORLDWIDE THE LARGEST YOUTH CULTURE EVENT, BERLIN), Ballett international, Tanz aktuell, (7), 1998, pp. 76-76
Citation: H. Regitz, WERE ON THE MOVE - ANDERSEN,FRANK, DIRECTOR OF THE ROYAL-SWEDISH-BALLET - A PORTRAIT, Ballett international, Tanz aktuell, (6), 1998, pp. 36-37
Citation: H. Regitz et U. Gadd, BETWEEN BALI AND BALLET - GADD,ULF, BALLET DIRECTOR OF THE GOTEBORGSOPERAN, IN CONVERSATION, Ballett international, Tanz aktuell, (6), 1998, pp. 42-45
Citation: H. Regitz, NORDIC DANCE QUARTET - SKANDINAVIAN CHOREOGRAPHERS IN STOCKHOLM (ANDERSEN,FRANK PROGRAM AT THE DANSENS-HUIS PRESENTS WORKS BY CHOREOGRAPHERS FROM DENMARK, FINLAND, NORWAY AND SWEDEN), Ballett international, Tanz aktuell, (6), 1998, pp. 48-48
Citation: H. Regitz, LABAN,RUDOLF,VON AND THE ORIGINS OF THE MODERN-DANCE DRAMA - GERMAN -BOHME,F, Ballett international, Tanz aktuell, (5), 1998, pp. 21-21
Citation: H. Regitz et al., ONE AND ONE IS ONE - AN INTERVIEW WITH THE SHOW TWINS ALICE AND KESSLER,ELLEN, Ballett international, Tanz aktuell, (5), 1998, pp. 28-30
Citation: H. Regitz, FLAMENCO (SAURA,CARLOS DOCUMENTS DANCE FORM IN HIS LATEST WORK FOR THE CAMERA), Ballett international, Tanz aktuell, (4), 1998, pp. 17-17
Citation: H. Regitz et D. Cardyn, CARDYN,DARIE - IM A STAGE PERSON (AN INTERVIEW WITH THE DANCER AND ACTRESS), Ballett international, Tanz aktuell, (4), 1998, pp. 32-33