Citation: H. Regitz et L. Huber, HUBER,LOTTI, DANCER, PERFORMER AND BONVIVANTE + AN INTERVIEW, Ballett international, Tanz aktuell, (10), 1997, pp. 44-47
Citation: H. Regitz et G. Hyatt, NO SPACE FOR 2 LIVES -BALLET TO A CLOSE( AN INTERVIEW WITH HYATT,GIGIAS SHE BRINGS HER CAREER AT THE HAMBURG), Ballett international, Tanz aktuell, (10), 1997, pp. 50-51
Citation: H. Regitz, TRACKS IN THE SAND -AIR SERIES DANCE PROJECT ON SAND AT THE PAULI-KLOSTER - 'PAULI-PASSION' IN BRANDENBURG( NEWCOMB,DYLAN, NAKAMURA,MEGUMI AND DUBREUIL,IVAN OPEN), Ballett international, Tanz aktuell, (10), 1997, pp. 59-59
Citation: H. Regitz, WHY NOT A WORKSHOP OF CLASSICAL DANCE -SYMPOSIUM ON THE FUTURE OF CLASSICAL DANCE( QUESTIONS TO BE ANSWERED AT THE INTERNATIONAL), Ballett international, Tanz aktuell, (1), 1997, pp. 5-5
Citation: H. Regitz, GODFATHER TO THE STUTTGARTER-BALLETT -GESELLSCHAFT, AT 75( HOVER,FRITZ, FOUNDER OF THE NOVERRE), Ballett international, Tanz aktuell, (1), 1997, pp. 11-11
Citation: H. Regitz, WE NEED THE ALL-ROUND DANCER -OPER-BERLIN( A PROFILE OF CRAGUN,RICHARD, DIRECTOR OF BALLET AT THE DEUTSCHE), Ballett international, Tanz aktuell, (1), 1997, pp. 18-19
Citation: H. Regitz et C. Jeschke, THE MEMORY OF DANCE -MIDI DUN FAUNE'( AN INTERVIEW WITH JESCHKE,CLAUDAI ON THE REVIVAL OF NIJINSKY L'APRES), Ballett international, Tanz aktuell, (1), 1997, pp. 24-27
Citation: H. Regitz, LIKE AN OPEN CUTTHROAT RAZOR -OPER-BERLIN( 'FRANZ WOYZECK' BY SCHERZER,BIRGIT AT THE KOMISCHE), Ballett international, Tanz aktuell, (1), 1997, pp. 48-49
Citation: H. Regitz et M. Cunningham, IM NOT DISTANCING MYSELF FROM MY OWN HISTORY + AN INTERVIEW WITH CUNNINGHAM,MERCE, Ballett international, Tanz aktuell, (8-9), 1996, pp. 26-27
Citation: H. Regitz, DEMOLITION, TRANSITION, INNOVATION + THE BALLET SCENE IN THE NEW FEDERAL STATES OF A UNITED GERMANY, Ballett international, Tanz aktuell, (8-9), 1996, pp. 81-83
Authors:
ODENTHAL J
AMORT A
FEUCHTNER B
DRAEGER V
FISCHER EE
GRADINGER M
KOEGLER H
LANGER R
REGITZ H
SCHEIER H
SCHMIDT J
VOLLMER H
WITZELING K
Citation: J. Odenthal et al., THE 1995-1996 SEASON CRITICS SURVEY + DANCE CRITICS IN GERMANY AND AUSTRIA ON CURRENT DEVELOPMENTS FOR THE FUTURE OF DANCE, Ballett international, Tanz aktuell, (8-9), 1996, pp. 84-88
Citation: H. Regitz, DOCUMENTATION OF THE 1995-1996 SEASON -BRITAIN, ISRAEL, MONACO, NETHERLANDS, SWEDEN, SWITZERLAND AND THE UNITED-STATES( DANCE COMPANIES IN GERMANY, AUSTRIA, BELGIUM, CANADA, CUBA, DENMARK, FRANCE, GREAT), Ballett international, Tanz aktuell, (8-9), 1996, pp. 89
Citation: H. Regitz, LITTLE GEMS -DER-NIEDERLANDE HELD IN STUTTGART( DANCE EVENTS AT THE FESTIVAL), Ballett international, Tanz aktuell, (7), 1996, pp. 23-23
Citation: H. Regitz, MOVEMENT IMAGES OF OPPRESSIVE POWER + SCHLOMER,JOACHIM CHOREOGRAPHY 'HAMLET I, II, III', Ballett international, Tanz aktuell, (7), 1996, pp. 31-31
Citation: H. Regitz, RETURNING AGAIN AND AGAIN TO THE POINT OF PAIN - A PROFILE OF STUTTGART CHOREOGRAPHER SANTI,MARCO, Ballett international, Tanz aktuell, (5), 1996, pp. 48-49