Citation: Bh. Repp, VARIATIONS ON A THEME BY CHOPIN - RELATIONS BETWEEN PERCEPTION AND PRODUCTION OF TIMING IN MUSIC, Journal of experimental psychology. Human perception and performance, 24(3), 1998, pp. 791-811
Citation: Bh. Repp, A MICROCOSM OF MUSICAL EXPRESSION - I - QUANTITATIVE-ANALYSIS OF PIANISTS TIMING IN THE INITIAL MEASURES OF CHOPIN ETUDE IN E MAJOR, The Journal of the Acoustical Society of America, 104(2), 1998, pp. 1085-1100
Citation: Bh. Repp, VARIABILITY OF TIMING IN EXPRESSIVE PIANO PERFORMANCE INCREASES WITH INTERVAL DURATION, Psychonomic bulletin & review, 4(4), 1997, pp. 530-534
Citation: Bh. Repp, THE AESTHETIC QUALITY OF A QUANTITATIVELY AVERAGE MUSIC PERFORMANCE -2 PRELIMINARY EXPERIMENTS, Music perception, 14(4), 1997, pp. 419-444
Authors:
GUSSENHOVEN C
REPP BH
RIETVELD A
RUMP HH
TERKEN J
Citation: C. Gussenhoven et al., THE PERCEPTUAL PROMINENCE OF FUNDAMENTAL-FREQUENCY PEAKS, The Journal of the Acoustical Society of America, 102(5), 1997, pp. 3009-3022
Citation: Bh. Repp, ACOUSTICS, PERCEPTION, AND PRODUCTION OF LEGATO ARTICULATION ON A COMPUTER-CONTROLLED GRAND PIANO, The Journal of the Acoustical Society of America, 102(3), 1997, pp. 1878-1890
Citation: Bh. Repp, PATTERNS OF NOTE ONSET ASYNCHRONIES IN EXPRESSIVE PIANO PERFORMANCE, The Journal of the Acoustical Society of America, 100(6), 1996, pp. 3917-3932
Citation: Bh. Repp, THE DYNAMICS OF EXPRESSIVE PIANO PERFORMANCE - SCHUMANNS TRAUMEREI REVISITED, The Journal of the Acoustical Society of America, 100(1), 1996, pp. 641-650
Citation: Bh. Repp, QUANTITATIVE EFFECTS OF GLOBAL TEMPO ON EXPRESSIVE TIMING IN MUSIC PERFORMANCE - SOME PERCEPTUAL EVIDENCE, Music perception, 13(1), 1995, pp. 39-57
Citation: Bh. Repp, DETECTABILITY OF DURATION AND INTENSITY INCREMENTS IN MELODY TONES - A PARTIAL CONNECTION BETWEEN MUSIC PERCEPTION AND PERFORMANCE, Perception & psychophysics, 57(8), 1995, pp. 1217-1232
Citation: Bh. Repp, EXPRESSIVE TIMING IN SCHUMANN TRAUMEREI - AN ANALYSIS OF PERFORMANCESBY GRADUATE STUDENT PIANISTS, The Journal of the Acoustical Society of America, 98(5), 1995, pp. 2413-2427
Citation: Bh. Repp, ACOUSTICS, PERCEPTION, AND PRODUCTION OF LEGATO ARTICULATION ON A DIGITAL PIANO, The Journal of the Acoustical Society of America, 97(6), 1995, pp. 3862-3874
Citation: Bh. Repp, RELATIONAL INVARIANCE OF EXPRESSIVE MICROSTRUCTURE ACROSS GLOBAL TEMPO CHANGES IN MUSIC PERFORMANCE - AN EXPLORATORY-STUDY, Psychological research, 56(4), 1994, pp. 269-284