Citation: F. Rigolot, PERPETUUM-MOBILE - CHANGES IN BODIES AND IN LITERARY AND ARTISTICS WORKS FROM DA-VINCI TO MONTAIGNE - FRENCH - JEANNERET,M, The Sixteenth century journal, 29(2), 1998, pp. 581-582
Citation: F. Rigolot, PERPETUUM MOBILE - METAMORPHOSES OF BODIES AND WORKS FROM VINCI TO MONTAIGNE - FRENCH - JEANNERET,M, Critique, 54(615-16), 1998, pp. 447-455
Citation: F. Rigolot, THE SUBLIME IN THE COMMON-PLACE - RHETORI CAL INVENTION IN ANTIQUITY AND THE RENAISSANCE - FRENCH - GOYET,F, MLN, 112(4), 1997, pp. 710-714
Citation: F. Rigolot, EKPHRASIS AND THE FANTASTIC - GENESIS OF AN ABERRATION( COMPARATIVE LITERATURE ), Comparative literature, 49(2), 1997, pp. 97-112
Citation: F. Rigolot, MAGDALENS-SKULL -CENTURY RENAISSANCE LITERATURE OF MARGUERITE-OF-NAVARRE - ALLEGORY AND ICONOGRAPHY IN 'HEPTAMERON' (NOVELLA-32)( A STUDY OF SIGNS AND SYMBOLS IN THE 15TH), Renaissance quarterly, 47(1), 1994, pp. 57-73
Citation: F. Rigolot, THE MASS AND THE EUCHARIST IN RABELAIS - REPLY, Publications of the Modern Language Association of America, 109(5), 1994, pp. 1028-1028
Citation: F. Rigolot, RABELAIS, MISOGYNY, AND CHRISTIAN CHARITY, BIBLICAL INTERTEXTUALITY AND THE RENAISSANCE CRISIS OF EXEMPLARITY, Publications of the Modern Language Association of America, 109(2), 1994, pp. 225-237
Citation: F. Rigolot, PHENOMENA AND ILLUSIONS - MONTAIGNE, THE TEXT, THE FANTASY - ITALIAN - GARAVINI,F, Revue d'histoire litteraire de la France, 93(5), 1993, pp. 727-728
Citation: F. Rigolot, THE SMILE OF TRUTH - THE FRENCH SATIRICAL EULOGY AND ITS ANTECEDENTS - TOMARKEN,AH, Comparative literature, 45(2), 1993, pp. 191-192