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Results: 1-25 | 26-49
Results: 1-25/49
'Aimee & Jaguar'
Authors: Roddick, N
Citation: N. Roddick, 'Aimee & Jaguar', SIGHT SOUND, 11(5), 2001, pp. 38-39
No more auteurs anymore (Hollywood's move eastwards into arthouse territory)
Authors: Roddick, N
Citation: N. Roddick, No more auteurs anymore (Hollywood's move eastwards into arthouse territory), SIGHT SOUND, 11(1), 2001, pp. 5-5
Dome syndrome (British movies and their critics)
Authors: Roddick, N
Citation: N. Roddick, Dome syndrome (British movies and their critics), SIGHT SOUND, 10(7), 2000, pp. 5-5
Me and my cat (Digital delivery and cinemagoing)
Authors: Roddick, N
Citation: N. Roddick, Me and my cat (Digital delivery and cinemagoing), SIGHT SOUND, 10(5), 2000, pp. 5-5
The 'Wings of the Dove'
Authors: Roddick, N
Citation: N. Roddick, The 'Wings of the Dove', SIGHT SOUND, 10(5), 2000, pp. 35-35
Overture and finale: Rodgers-&-Hammerstein and the creation of their two greatest hits
Authors: Roddick, N
Citation: N. Roddick, Overture and finale: Rodgers-&-Hammerstein and the creation of their two greatest hits, SIGHT SOUND, 10(5), 2000, pp. 36-36
Walt Disney and Europe
Authors: Roddick, N
Citation: N. Roddick, Walt Disney and Europe, SIGHT SOUND, 10(5), 2000, pp. 36-36
City on fire: Hong-Kong cinema
Authors: Roddick, N
Citation: N. Roddick, City on fire: Hong-Kong cinema, SIGHT SOUND, 10(5), 2000, pp. 36-36
Man on the beaches (Germany in current European cinema)
Authors: Roddick, N
Citation: N. Roddick, Man on the beaches (Germany in current European cinema), SIGHT SOUND, 10(2), 2000, pp. 5-5
The noir style
Authors: Roddick, N
Citation: N. Roddick, The noir style, SIGHT SOUND, 10(2), 2000, pp. 35-35
In search of the 'Third Man'
Authors: Roddick, N
Citation: N. Roddick, In search of the 'Third Man', SIGHT SOUND, 10(2), 2000, pp. 35-36
Gilliam on Gilliam
Authors: Roddick, N
Citation: N. Roddick, Gilliam on Gilliam, SIGHT SOUND, 10(2), 2000, pp. 35-35
'Shane'
Authors: Roddick, N
Citation: N. Roddick, 'Shane', SIGHT SOUND, 10(2), 2000, pp. 35-35
Monty-Python speaks
Authors: Roddick, N
Citation: N. Roddick, Monty-Python speaks, SIGHT SOUND, 10(2), 2000, pp. 35-35
DEFA: East German cinema, 1946-1992
Authors: Roddick, N
Citation: N. Roddick, DEFA: East German cinema, 1946-1992, SIGHT SOUND, 10(2), 2000, pp. 36-36
The complete Marilyn Monroe
Authors: Roddick, N
Citation: N. Roddick, The complete Marilyn Monroe, SIGHT SOUND, 10(2), 2000, pp. 36-36
Golden girl
Authors: Roddick, N
Citation: N. Roddick, Golden girl, SIGHT SOUND, 10(2), 2000, pp. 36-36
Rogue reels: Oppositional film in Britain, 1945-90
Authors: Roddick, N
Citation: N. Roddick, Rogue reels: Oppositional film in Britain, 1945-90, SIGHT SOUND, 10(2), 2000, pp. 36-36
The lavendar bus: How a hit movie was made and sold
Authors: Roddick, N
Citation: N. Roddick, The lavendar bus: How a hit movie was made and sold, SIGHT SOUND, 10(2), 2000, pp. 36-36
Ugly (in a nice way) (Andrew Dominik's 'Chopper')
Authors: Roddick, N
Citation: N. Roddick, Ugly (in a nice way) (Andrew Dominik's 'Chopper'), SIGHT SOUND, 10(11), 2000, pp. 14-15
An interview with 'Chopper''s director Andrew Dominik's
Authors: Roddick, N Dominik, A
Citation: N. Roddick et A. Dominik, An interview with 'Chopper''s director Andrew Dominik's, SIGHT SOUND, 10(11), 2000, pp. 15-16
'Angela's Ashes'
Authors: Roddick, N
Citation: N. Roddick, 'Angela's Ashes', SIGHT SOUND, 10(1), 2000, pp. 40-42
Shotguns and weddings (How PolyGram sold its two big hits of 1998, 'Elizabeth' and 'Lock, Stock and Two Smoking Barrels')
Authors: Roddick, N
Citation: N. Roddick, Shotguns and weddings (How PolyGram sold its two big hits of 1998, 'Elizabeth' and 'Lock, Stock and Two Smoking Barrels'), SIGHT SOUND, 1999, pp. 10-13
The films of Michelangelo Antonioni
Authors: Roddick, N
Citation: N. Roddick, The films of Michelangelo Antonioni, SIGHT SOUND, 9(5), 1999, pp. 30-30
Savage cinema: Sam Peckinpah and the rise of ultraviolent movies
Authors: Roddick, N
Citation: N. Roddick, Savage cinema: Sam Peckinpah and the rise of ultraviolent movies, SIGHT SOUND, 9(5), 1999, pp. 31-31
Risultati: 1-25 | 26-49