Citation: K. Rohring, 'Johann Sebastian Bach, Die Kunst der Fuge' - ECM-New-Series-1652-457-849-2 (Keller-Quartett), MUSIK KIRCH, 69(2), 1999, pp. 124-124
Citation: K. Rohring, Martin Gotthard Schneider 'Hore Gott!'. Organ improvisations on old and new psalms - Patmos-Edition-Benziger (Guckelsberger), MUSIK KIRCH, 68(6), 1998, pp. 403-404
Citation: K. Rohring, Johann Sebastian Bach's cantatas, vol 5 - BIS-CD-841 (Schmithusen, Mera, Sakurada, Kooij, Bach Collegium Japan, Suzuki), MUSIK KIRCH, 68(6), 1998, pp. 420-420
Citation: K. Rohring, Johann Sebastian Bach's cantatas, vol 6 - BIS-CD-851 (Frimmer, Turk, Kooij, Bach Collegium Japan, Suzuki), MUSIK KIRCH, 68(6), 1998, pp. 420-420
Citation: K. Rohring, Johann Sebastian Bach's cantatas, vol 4 - BIS-CD-801 (Suzuki, Yanagisawa, Tachikawa, Sakurada, Schreckenberger, Bach Collegium Japan), MUSIK KIRCH, 68(6), 1998, pp. 420-420
Citation: K. Rohring, Johann Sebastian Bach's cantatas, vol 7 - BIS-CD-881 (Schmithusen, Mera, Sakurada, Kooij, Bach Collegium Japan, Suzuki), MUSIK KIRCH, 68(6), 1998, pp. 420-420
Citation: K. Rohring, Dietrich Buxtehude's 'Membra Jesu nostri', a cycle of cantatas - BIS-CD-871 (Hida, Suzuki, Yanagisawa, Anazawa, Mera, Sakurada, Ogasawara, Bach Collegium Japan), MUSIK KIRCH, 68(6), 1998, pp. 420-420
Citation: K. Rohring, Johann Sebastian Bach's complete cantatas, vol 6 - Erato-3984-21629-2 (Ziesak, Magnus, Agnew, Mertens, The Amsterdam Baroque Orchestra & Choir, Koopman), MUSIK KIRCH, 68(6), 1998, pp. 421-421
Citation: K. Rohring, The end of art and the paradigm change in aesthetics. Philosophical investigations on Adorno, Heidegger, and Gehlen with systematic intention., MUSIK KIRCH, 68(5), 1998, pp. 344-345