Citation: M. Schmitzemans, RILKE,RAINER,MARIA AND JAMMES,FRANCIS - SYMBOLISM, THEMATICS AND LANGUAGE OF THEIR POETRY - CHOPIN,I, Romanische Forschungen, 110(2), 1998, pp. 286-289
Citation: M. Schmitzemans, THE POETRY OF MACHINES - LITERARY PORTRAY ALS OF AUTOMATONS AND ROBOTS AS A SIGN OF AESTHETIC SELF-REFLECTION, Neohelicon, 24(2), 1997, pp. 237-279
Citation: M. Schmitzemans, TRUTH-SEEKING AS CITATION - RIVETTE,JACQUES FILM LA 'BELLE NOISEUSE' AND THE VISIONS OF THE ARTIST IN HOFFMANN, POE AND BALZAC, Neohelicon, 24(1), 1997, pp. 73-112
Citation: M. Schmitzemans, AVANT-GARDE, MODERNITY, CATASTROPHE - LIT ERATURE, ART AND SCIENCE INGERMANY AND ITALY IN THE EARLY 20TH-CENTURY - GERMAN, ITALIAN - LAMMERT,E, CUSATELLI,G, HELD,HG, Romanische Forschungen, 109(3-4), 1997, pp. 560-565
Citation: M. Schmitzemans, TASSO,TORQUATO IN GERMANY - HIS INFLUENCE ON LITERATURE, ART AND MUSIC SINCE THE MIDDLE OF THE 18TH-CENTURY - GERMAN - AURNHAMMER,A, Romanische Forschungen, 109(3-4), 1997, pp. 565-571
Citation: M. Schmitzemans, CABALA AND ROMANTICISM - GERMAN - GOODMAN NTHAU,E, MATTENKLOTT,G, SCHULTE,C, Zeitschrift fur Germanistik, 6(1), 1996, pp. 210-214
Citation: M. Schmitzemans, EXPRIMENTING WITH TIME - HISTORICAL ASPEC TS OF THE NOVELS BY CALVINO,ITALO, SCIASCIA,LEONARDO, ECO,UMBERTO AND NIGRO,RAFFAELE, Archiv fur das Studium der neueren Sprachen und Literaturen, 233(2), 1996, pp. 295-322
Citation: M. Schmitzemans, THE SEARCH FOR A POSSIBLE WORLD - THE LIT ERARY AND THEORETICAL MEANING OF UTOPIA, AND ISLAND AND TRAVELS MOTIFS, Neohelicon, 22(1), 1995, pp. 189-215
Citation: M. Schmitzemans, METAMORPHOSES OF METAMORPHOSES, CALVINO,I TALO AND HIS PREDECESSOR OVID - POETICS OF CALVINO AND OVID 'METAMORPHOSEN', Poetica, 27(3-4), 1995, pp. 433-469
Citation: M. Schmitzemans, GE) THE PARADOX OF FICTION - LITERARY REPRESENTATIONS OF VENICE, 1797-1984 - GERMAN - CORBINEAUHOFFMANN,A, Arcadia, 30(3), 1995, pp. 327-336
Citation: M. Schmitzemans, THE BEAUTIFUL AEROBATIC FIGURE, ANDROIDS, DOLLS AND MACHINES AS ALLEGORIES OF LITERARY WORKS, Arcadia, 30(1), 1995, pp. 1-30
Citation: M. Schmitzemans, THE POWER OF METAPHOR - LABYRINTH OF THE MODERN WORLD - GERMAN - GAMM,G, Zeitschrift fur Germanistik, 4(3), 1994, pp. 692-695
Citation: M. Schmitzemans, DAEDALUS AS THE MINOTAUR, THE LABYRINTH M OTIF AND LINGUISTIC REFLECTIONS IN KAFKA AND DURRENMATT, Zeitschrift fur Germanistik, 3(3), 1993, pp. 526-544
Citation: M. Schmitzemans, A NEW PYGMALION AND THE IDEA OF NEGATIVE ART OF SCULPTURE, VARIATIONSON THE PYGMALION THEME IN MODERN LITERATURE, Zeitschrift fur deutsche Philologie, 112(2), 1993, pp. 161-187
Citation: M. Schmitzemans, SURVIVAL IN TEXT, THE LEADING MOTIF OF LI TERARY WRITINGS AND FORMS OF ITS POETIC REFLECTION, Colloquia germanica, 26(2), 1993, pp. 135-161
Citation: M. Schmitzemans, WRITTEN IMAGES - STUDIES ON THE HISTORY O F EMBLEMATIC SHORT-FICTION - GERMAN - SPINNEN,B, Colloquia germanica, 25(3-4), 1992, pp. 387-390