Citation: A. Scullion, CLOSET STAGES - BAILLIE,JOANNA AND THE THEATER THEORY OF BRITISH ROMANTIC WOMEN-WRITERS - BURROUGHS,CB, NTQ. New theatre quarterly, 14(55), 1998, pp. 295-296
Citation: A. Scullion, THE POLITICS OF ALTERNATIVE THEATER IN BRITAIN, 1958-1990 - THE CASE OF 7 84 (SCOTLAND) - DICENZO,M/, Theatre research international, 22(3), 1997, pp. 273-274
Citation: A. Scullion, MODERN DRAMA BY WOMEN, 1880S-1930S - AN INTERNATIONAL ANTHOLOGY - KELLY,KE, Theatre research international, 22(1), 1997, pp. 81-83
Citation: A. Scullion, GETTING INTO THE ACT - WOMEN PLAYWRIGHTS IN LONDON, 1776-1826 - DONKIN,E, Theatre research international, 21(3), 1996, pp. 264-265
Citation: A. Scullion, WOMEN IN THE AMERICAN THEATER - ACTRESSES AND AUDIENCES, 1790-1870 - DUDDEN,FE, Theatre research international, 21(1), 1996, pp. 81-82
Citation: A. Scullion, PLAYING OUT THE EMPIRE - 'BEN-HUR' AND OTHER TOGA PLAYS AND FILMS - ACRITICAL ANTHOLOGY - MAYER,D, Theatre research international, 19(3), 1994, pp. 278-279