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Results:
1-21
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Results: 21
Authors:
STECKER R
MUCKE K
RODI B
SCHLOMERDOLL U
Citation: R. Stecker et al., THE HERFORD MODEL - EXPERIENCE WITH PSYCHO-ONCOLOGICAL PROVISION IN AGENERAL-HOSPITAL, Psycho-oncology, 7(3), 1998, pp. 1033-1033
Authors:
MUTHNY FA
MUCKE K
RHODI B
STECKER R
Citation: Fa. Muthny et al., EFFECTS OF PSYCHOSOCIAL CARE AS SEEN BY CANCER-PATIENTS, DOCTORS AND THE STAFF, Psycho-oncology, 7(3), 1998, pp. 1037-1037
Authors:
SCHLOMERDOLL U
MUCKE K
STECKER R
RODI B
DECIUS S
Citation: U. Schlomerdoll et al., PSYCHOONCOLOGICAL CARE IN A COMMUNITY-HOSPITAL - THE MODEL OF HERFORD, PPmP. Psychotherapie, Psychosomatik, medizinische Psychologie, 48(9-10), 1998, pp. 408-416
Authors:
STECKER R
Citation: R. Stecker, LEDDY ON STECKER FUNCTIONALISM (ART THEORY), The Journal of aesthetics and art criticism, 56(4), 1998, pp. 402-404
Authors:
ADAMS F
FULLER G
STECKER R
Citation: F. Adams et al., THE SEMANTICS OF FICTIONAL NAMES -REFERENCE-THEORY( DIRECT), The Personalist, 78(2), 1997, pp. 128-148
Authors:
KRAUSZ M
STECKER R
Citation: M. Krausz et R. Stecker, RIGHTNESS AND REASONS - DISCUSSION, The Journal of aesthetics and art criticism, 55(4), 1997, pp. 415-421
Authors:
STECKER R
Citation: R. Stecker, THE CONSTRUCTIVISTS DILEMMA + ART, ARTISTS AND VIEWER INTERPRETATION, The Journal of aesthetics and art criticism, 55(1), 1997, pp. 43-52
THE CORRECT AND THE APPROPRIATE IN THE APPRECIATION OF NATURE + AESTHETICS, CRITIQUE OF CARLSON,ALAN
Authors:
STECKER R
Citation: R. Stecker, THE CORRECT AND THE APPROPRIATE IN THE APPRECIATION OF NATURE + AESTHETICS, CRITIQUE OF CARLSON,ALAN, British journal of aesthetics, 37(4), 1997, pp. 393-402
Authors:
STECKER R
Citation: R. Stecker, WHAT IS LITERATURE, Revue internationale de philosophie, 50(198), 1996, pp. 681-694
Authors:
STECKER R
Citation: R. Stecker, DANTO AND HIS CRITICS - ROLLINS,M, Philosophical quarterly, 46(185), 1996, pp. 530-532
Authors:
STECKER R
Citation: R. Stecker, THE CLASSICAL VERNACULAR - ARCHITECTURAL PRINCIPLES IN AN AGE OF NIHILISM - SCRUTON,R, The Journal of aesthetics and art criticism, 54(4), 1996, pp. 395-397
Authors:
STECKER R
Citation: R. Stecker, INTERPRETATION RADICAL BUT NOT UNRULY - THE NEW PUZZLE OF THE ARTS AND HISTORY - MARGOLIS,J, The Journal of aesthetics and art criticism, 54(2), 1996, pp. 191-193
Authors:
STECKER R
Citation: R. Stecker, ALIEN OBJECTIONS TO HISTORICAL DEFINITIONS OF ART, British journal of aesthetics, 36(3), 1996, pp. 305-308
Authors:
STECKER R
Citation: R. Stecker, OBJECTIVITY AND INTERPRETATION, Philosophy and literature, 19(1), 1995, pp. 48-59
Authors:
STECKER R
Citation: R. Stecker, RELATIVISM ABOUT INTERPRETATION, The Journal of aesthetics and art criticism, 53(1), 1995, pp. 14-18
Authors:
ADAMS F
STECKER R
Citation: F. Adams et R. Stecker, VACUOUS SINGULAR TERMS, Mind & language, 9(4), 1994, pp. 387-401
Authors:
STECKER R
Citation: R. Stecker, ART INTERPRETATION + CRITICAL MONISM AND CRITICAL PLURALISM, The Journal of aesthetics and art criticism, 52(2), 1994, pp. 193-206
Authors:
STECKER R
Citation: R. Stecker, HISTORICAL FUNCTIONALISM OR THE 4-FACTOR THEORY + IN DEFENSE OF A FUNCTIONAL DEFINITION OF ART, British journal of aesthetics, 34(3), 1994, pp. 255-265
Authors:
STECKER R
Citation: R. Stecker, PRAGMATISM AND INTERPRETATION, Poetics today, 14(1), 1993, pp. 181-191
Authors:
STECKER R
Citation: R. Stecker, THE ROLE OF INTENTION AND CONVENTION IN INTERPRETING ARTWORKS, The Southern journal of philosophy, 31(4), 1993, pp. 471-489
Authors:
ADAMS F
STECKER R
FULLER G
Citation: F. Adams et al., THE SEMANTICS OF THOUGHTS, The Personalist, 73(4), 1992, pp. 375-389
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